重新开一个贴子，希望大家多多捧场 [复制链接]

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The Elgar Concertos
Sammons shows beguiling purity of tone and impeccable technical address. 'As the unerringly eloquent Sammons effortlessly negotiates every twist and turn of Elgar's glorious passagework . . . one feels more than ever that (he) was born to play this music . . . As one listens spellbound, one can't imagine Elgar's sublime inspiration being given any other way - surely the hallmark of a truly great performance.' Gramophone. With the New Queen's Hall Orch./Sir Henry Wood. For many years the Squire recording of the cello concerto was considered the best and today it remains a fine and valuable interpretation, with the Halle Orch./Sir Hamilton Harty. Also included is Harty's conducting of Dream Children. All transfers are new and by Roger Beardsley. This version of the violin concerto is felt by many to provide even greater satisfactions than the famous recording of the young Menuhin.

先捧场，慢慢看！

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Beethoven: The Late Quartets - The Bush QuartetThese great classics of music and, in these Busch Quartet interpretations, equally classics of recording history, have of course been reissued before – and have won awards in their previous incarnations. These transfers are entirely new (by Roger Beardsley, with notes by Tully Potter) and a part of our series of Busch reissues: it is hoped that offered too is anew clarity and freshness of sound. The Quartets nos. 11-16, together with the Grosse Fuge op. 133.
A 3 CD set.

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Toscha Seidel
Seidel was one, with Heifetz, Max Rosen, Elman and Milstein among others at the time, of Leopold Auer's most gifted students. Triumph in Europe was followed by triumph in the USA. Auer called him one of the great violinists of the world - but his recordings were relatively few, even of his beloved Brahms, and his reserved personality and lack of stage presence prevented his glittering among the stars of his time. But the recordings here are impressive - Brahms' Sonatas Nos. 1 & 2 and Hungarian Dance No.1 and Grieg's Sonata No. 3 - and this release celebrates the centenary of his birth. He died in 1962.

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战时的德国，听音乐会都坐的跟一条线绷的似的，呵呵

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Beethoven: 'Spring' / 'Kreutzer' sonatas etc. - Busch/Serkin

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贝多芬：英雄主题变奏曲

舒伯特：Ländler, Op.18（D. 145）、12首高贵的圆舞曲Op. 77

肖邦：即兴曲第二号、前奏曲第四号

巴托克：3首斯洛伐克民歌回旋曲、6首罗马尼亚民间舞曲

丽丽·克劳斯（钢琴）

Pearl GEMM0055 ADD

丽丽·克劳斯1903年生于布达佩斯，22岁时就因为出色的钢琴演奏，成为维也纳音乐学院的全职教授。20年代她开始向施纳贝尔学习，并与小提琴家西蒙·古德堡合作，成为著名的室内乐演奏家。30年代，她定居意大利，并经常去英国演出，在伦敦为Parlophone公司录制了这张CD上的作品。她1940年到印度尼西亚演出的时候，因错误的指控被捕，在劳动营里呆了两年。后在一位日本指挥的调解下，她才获释。直到1945年，战争快结束的时候，克劳斯才恢复正常的音乐生活。

克劳斯1949年在美国首次登台，后面的几十年她演出非常频繁。50年代她最大的收获是演出和录制莫扎特的钢琴奏鸣曲和协奏曲。在晚年，她常在德克萨斯基督教大学举行大师班，并成为克莱本国际钢琴比赛的长期评委。1982年她还在为公众演出，1986年去世。




克劳斯最擅长的是莫扎特和舒伯特的作品。但在职业生涯的早期，她涉猎过众多古典和浪漫派名家的作品。现在，克劳斯的几张Vox和Vanguard的LP已经转制成了CD。Pearl的这张唱片也是一个重要的发行，我们可以听到年轻的克劳斯是一个激情四溢的演奏家，这种特点在后来的录音中已不是很明显。这些Parlophone录音，为我们展示了是一个让人激动，非常自信的钢琴家形象，她独具的雍容文雅风格让这些作品的演绎不失偏颇。

克劳斯的琴声像水晶一样清晰透彻，即使78转唱片的噪音也不能阻碍我们的这个印象。贝多芬的英雄变奏曲录制于1939年，是这个唱片的精华。克劳斯在贝多芬率真的灵感中发觉出其中的深奥与幽默。

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历时半载，终于把它给找着啦！哈哈哈。。。。。。。。。。。