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NSR AUDIO 唱盘系统DIY计划 [复制链接]

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151#

理科生握手🤝
在黑胶唱盘上,区区的初中物理基础竟然真的可以成为不可逾越的鸿沟。
一个唱头输出最大化就集合了唱头与唱臂的最佳搭配以及黑胶系统的各项指标的精确调整,是黑胶系统的精粹、灵魂。
可马上就遭到了质问,输出大就是好吗?
那mm唱头岂不是无敌?
顿时张口结舌。
其实是瞠目结舌!
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152#

呵呵,没法讨论了。
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153#

https://www.bilibili.com/audio/au2379119?type=1?type=6
上一段CP-1 T-9唱臂的内录文件给大家云试听一下吧


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154#

这张黑胶唱片是用来向朋友演示自己器材极限的。朋友,一起来PK!


https://www.bilibili.com/audio/au2380259?type=1?type=6



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155#


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156#

Rega VTA(Vertical Tracking Angle) Fact Sheet
by Roy Gandy
Quote: "Every problem has a solution. If there is no solution, there is no problem."
The Tonearm: The maximum up/down adjustment on a tonearm is about 0.5 inches (12mm). That being approximately 1 degree VTA adjustment.
[Correction: if you do the maths' a 0.5inch variation on a 9 inch arm is about a 3° variation. You can work this out yourself once you remember that the sin() of an angle is the change in the y coordinate divided by the radius, so 0.5/9 ≈ 0.055 ≈ sin(3°)]
The Cartridge: Each model of cartridge has its own unique design which also determines the stylus VTA. Rega has accurately measured the VTA on at least one hundred different cartridge models. The lowest VTA we have measured was 24° (even though the manufacturer claimed 20°) and the highest was 36°. Most cartridges have a VTA of between 28° to 32°. The VTA of Rega cartridge is approximately 28°.
The Record: The VTA of a record cutting stylus is set to give the best continuous cut of the lacquer. Records are cut with a VTA which varies between 0° and 20°. On an individual record the VTA will vary by 7° or more, depending on the type of cutting head used, the depth of cut, the musical frequency and the lacquer springback. The VTA of the groove on every individual record varies by at least 7° over the record. Every record is cut under 20°.
Futility: We can see that cartridge VTA is normally around 10° higher than the record cutting angle. And the record cutting angle varies by around 7° whilst it is being played.
THEREFORE A MAXIMUM ARM ADJUSTMENT OF ONLY 1° CAN BE SEEN TO BE COMPLETELY FUTILE.To accurately match cartridge VTA to the record cutting angle the back of the arm would need to be well below the record (impossible!) and the cartridge VTA would need to vary at least 7° whilst playing the record!
Normal advice: Most informed advice is to keep the arm tube roughly parallel to the record surface. In fact, the VTA becomes more correct as the rear of the arm is lowered as much as possible, the limit being when the arm or cartridge touches the record.
Worst case: The most extreme situation is a record cutting angle of 0° and a cartridge VTA of 36°. The result is a VTA inaccuracy of 36°.
Question: Can there be any point in playing around with 1° of VTA?
VTA adjustment is actually a neurosis NOT a technical adjustment.
An Alternative: If you alter the playing weight of a normal cartridge by 0.1 of a gram the stylus VTA will alter by around 1.5°.
Another Alternative: If the room temperature increases by 5° F, the stylus rubber suspension will soften and decrease the VTA by 1°.
"but when I alter the VTA I hear a difference"
Of course you do. Any variation or change to the very important joint between the arm and turntable will alter the sound quality. Try simply tightening or loosening the main arm fixing nut, the sound will change. Try tightening or loosening the cartridge fixing nuts, the sound will also change. Almost any change or adjustment to a turntable/arm/cartridge will alter the sound quality if one listens with an acute level of perception.
We hope we have explained to the reader that VTA adjustment is of little or no significance. There are many other simple structural changes that are more important, such as fixing the cartridge rigidly to the arm and fixing the arm tightly to the turntable.
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157#

有趣味的文章,狗狗翻译一下:
Rega VTA(垂直跟踪角)情況說明書
引用:“每個問題都有解決方案。如果沒有解決方案,就沒有問題。”
唱臂:唱臂上的最大向上/向下調整約為 0.5 英寸(12 毫米)。 那是大約 1 度 VTA 調整。
[更正:如果您進行數學計算,9 英寸唱臂上的 0.5 英寸變化大約是 3° 變化。 一旦您記住角度的 sin() 是 y 坐標的變化除以半徑,您就可以自己解決這個問題,因此 0.5/9 ≈ 0.055 ≈ sin(3°)]
唱頭:每種型號的唱頭都有自己獨特的設計,這也決定了唱針 VTA。  Rega 已在至少一百種不同型號的唱頭上準確測量了 VTA。 我們測得的最低 VTA 為 24°(即使製造商聲稱為 20°),最高為 36°。 大多數唱頭的 VTA 在 28° 到 32° 之間。  Rega 唱頭的 VTA 約為 28°。
記錄:記錄切割筆的 VTA 設置為提供最佳的漆連續切割。 使用 VTA 剪切記錄,該 VTA 在 0° 和 20° 之間變化。 在單張唱片上,VTA 會變化 7° 或更多,具體取決於所用切割頭的類型、切割深度、音樂頻率和漆面回彈。 每張唱片上凹槽的 VTA 變化至少為 7°。 每條記錄都被切割到 20° 以下。
徒勞:我們可以看到唱頭 VTA 通常比唱片切割角度高 10° 左右。 並且在播放時唱片的切割角度會變化大約 7°。
因此,可以看到僅 1° 的最大臂調整完全沒有用。要準確地將唱頭 VTA 與唱片切割角度匹配,唱臂的後部需要遠低於唱片(不可能!)並且唱頭 VTA 需要 在播放唱片時至少改變 7°!
一般建議:最明智的建議是保持臂管與唱片表面大致平行。 事實上,當臂的後部盡可能地降低時,VTA 變得更加正確,限制是當臂或唱頭接觸唱片時。
最壞的情況:最極端的情況是創紀錄的 0° 切割角度和 36° 的唱頭 VTA。 結果是 VTA 誤差為 36°。
問題:玩 1° VTA 有什麼意義嗎?🤭
VTA 調整實際上是一種神經症😂,而不是技術調整。😎
替代方案:如果您將普通唱頭的演奏重量改變 0.1 克,唱針 VTA 將改變大約 1.5°。
另一種選擇:如果室溫升高 5° F,唱針橡膠懸架將軟化並使 VTA 降低 1°。
“但是當我改變 VTA 時,我聽到了不同”
你當然知道。 臂和轉盤之間非常重要的關節的任何變化或變化都會改變音質。 嘗試簡單地擰緊或鬆開主臂固定螺母,聲音會改變。 嘗試擰緊或鬆開唱頭固定螺母,聲音也會改變。 如果以敏銳的感知水平聆聽,幾乎對轉盤/臂/唱頭的任何更改或調整都會改變音質。
我們希望我們已經向讀者解釋了 VTA 調整的意義不大或沒有意義。 還有許多其他更重要的簡單結構變化,例如將唱頭牢固地固定在臂上,將臂緊緊地固定在轉盤上。
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158#

这段话并没有厘清VTA和SRA的关系和看法,不过根据上文下理可以看到的是:针压确实会改变SRA,温度和湿度也会改变SRA.
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159#

选择录这张唱片是有几个原因的:

超低!通常的古典音乐唱片,除了极少数管风琴参与的录音外,通常都没有10Hz附近的强大能量。所以很多人在调教唱臂和唱头的谐振就相当随意,甚至说到12Hz 也无所谓。如果是这样,那碰到这张唱片就一定死的很惨

另一个难点是在强大低频的烘托下的真乐器小音量还原,这张唱片的另一个特色是电子低频+一个交响乐团的演奏方式。这就对唱盘系统的要求极高了,盘臂头,任何一个短板都会死得很难看。

最后是小系统就算了,再现这强大的音像画面,要的是智慧和金钱。

https://www.bilibili.com/audio/au2385303?type=1?type=6
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160#

本人,从来不打嘴炮。一向是实力派,用录音代替形容词。
通常玩不动求真的才去求味道,就如咱们咸淡水交界的鱼虾都是鲜甜美味的,哪里需要糖醋红烧一样的道理。虽说吃惯了重口味忽然间清淡起来会一时半刻难以让味蕾打开,但是如果连真水无香的道理都不懂的话,那么还是继续在各自的小圈子里自我安慰好了。

欢迎进入文杰唱盘唱臂的世界!

https://www.bilibili.com/audio/au2386366?type=1?type=6




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