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天神 - 2005/4/5 9:59:00
这个话题已经出过一帖,但都是偏向于纯音乐类的,其实,我大多的时候,更喜欢感受人类自己的声音,哪怕让人觉得我肤浅也好、单纯也好,但无可否认——我喜欢从歌唱者的鸣唱中、声带的颤音中,去摸索他的心灵,去感受作曲者的原意......
天神 - 2006/2/13 10:25:00
连接如下:
http://www.marecordings.com/main/product_info.php?cPath=22&products_id=54
天神 - 2006/2/13 10:35:00
留日琵琶演奏家蒋婷大家应该比较熟悉吧?这专辑是MA帮她出版的第一张专辑,近来听得比较多,去目比较丰富,不过演奏是属于阴柔、内敛型的,听着听着会喜欢的那种。
[upload=jpg]Upload/20062131035546736.jpg[/upload]
天神 - 2006/2/13 10:39:00
这里有试听,曲目是A Bride Beyond the Great Wall。
http://www.marecordings.com/main/product_info.php?cPath=22&products_id=74
天神 - 2006/2/13 10:25:00
这是原厂的唱片介绍:
The 2nd MA original 96 kHz digital recording.

Salterio virtuoso Begoña is most elegantly presented on her world debut recording, performed at La Monasterio de la Santa Espina, Valladolid, Spain. She performs numerous medieval works on 7 different psalteries, all of them beautifully handcrafted by her husband, world renowned lutier, Carlos Paniagua. Also participating are percussionist Pedro Estevan, J. C. de Mulder and Daniel Carranza collectively on vihuela, barroque guitar and thiorba. Medieval music which is exotic yet modern in feel.
天神 - 2006/2/13 12:08:00
溪秀兰 在 2006-2-13 11:52:14 发表的内容
偶仔细听过黄氏的《船歌》,录音效果好现场感非常逼真,尤其是乐器的伴奏,但是,对黄氏的演绎不愿意多听。

偶个人更喜欢风潮唱片《山上的孩子》,觉得胜于《山童》。

此乃强贴,顶!!!

谢谢你的探讨,黄氏的唱片我后来就很少买了,一张足矣。
天神 - 2006/2/13 10:35:00
Jiang Ting/Voice of the Pipa

With a history of more than 2000 years, the Chinese Pipa is one of that culture`s oldest and most elegant instruments. When first seen in China, (having arrived from India by way of the Silk Road sometime during the Han and Tang Dynasties), the Pipa, being a plucked instrument, was verbally described to sound like “pi~pa~pi~pa.”.

Originally round, the Pipa was a highly regarded instrument of the court. Over the centuries however, with influence from Iran, the current pear shape evolved and the Pipa became more widely accepted and heard in entertainment and ritual genres outside the court.

While the four strings, tuned A D E A, were originally made of silk, the modern 3 octave Pipa uses steel strings, allowing for more projection and volume. The number of frets has increased over the years, the most common Pipa now having 26 frets and 6 ledges. The frets are very deeply cut, allowing for the player to bend notes by depressing the strings, as opposed to bending them sideways as in western guitar performance. The modern player, almost always female, uses her nails, (now almost always artificial) in performance techniques that have evolved over the centuries to include 1) Backward and forward four finger tremolo strumming 2) Harmonics 3) Pizzicato 4) Fretted pitch bending

The shallow body of the Pipa is made of hollowed out, varnished teak, while the soundboard is made of wutong wood (firmiana plantanifolia). There are two tuning pegs on each side of the neck, the top of which is almost always carved, depicting a flower, dragon head, phoenix tail, bat or other abstract design. In contemporary performance, the Pipa is perpendicularly placed on the left part of the seated performer`s lap, while the neck and head are positioned close to the performers left ear. More ancient practice dictates a more horizontal positioning of the instrument.

Of Chinese heritage, Jiang Ting was born in Inner Mongolia in the beginning of the 1970`s. Her Pipa studies commenced when she was seven years old, her first teacher being her mother. At the age of ten, she went alone to Beijing to continue her studies, starting in the primary school associated with the Central State Conservatory. In 1996 she won first prize in the national Pipa performance contest, receiving her Conservatory graduation certificate in 1997. Since July 1997, Jiang Ting been living in Japan where she has performed with orchestras, on television and continues to concertise throughout the country.

“Voice of the Pipa” is Jiang Ting`s first recording outside of China, where her debut was released in the late 1990`s. The project was recorded in a small church, “Chiesa di S. Colombano” in the mountains outside the beautiful city of Lucca, in the Toscana region of Italia.
天神 - 2006/2/13 10:41:00
这是她的最新专辑,我暂时没有买到;
[upload=jpg]Upload/200621310413544124.jpg[/upload]

http://www.marecordings.com/main/product_info.php?cPath=22&products_id=82
溪秀兰 - 2006/2/13 11:52:00
天神 在 2005-4-5 13:22:55 发表的内容
[upload=jpg]Upload/20054513211216220.jpg[/upload]
这是雨果出品的几张小作品,《山童》给我感觉很不错,让我想起儿童时的歌曲,尤其是读幼儿园的时候......
其它几张印象一般,包括黄小姐也是一般搬。




偶仔细听过黄氏的《船歌》,录音效果好现场感非常逼真,尤其是乐器的伴奏,但是,对黄氏的演绎不愿意多听。

偶个人更喜欢风潮唱片《山上的孩子》,觉得胜于《山童》。

此乃强贴,顶!!!
天神 - 2006/2/13 10:21:00
首先上场的是它家的一张弹拨乐器专辑,大部分都是古乐器,里面竟然有中国的古筝,不得不佩服里面的演奏家!音乐题材以西班牙风格为主,某些曲目里面伴随着打击乐,效果非常棒!最让人意外的是这张94年出版的专辑已经是以24/96量化录制。
[upload=jpg]Upload/200621310215569754.jpg[/upload]
天神 - 2006/2/13 10:23:00
MA的唱片国内可能比较少见,在港台等地区应该还是可以找到的,这是一间录音和演绎俱佳的小型唱片公司,值得收藏!
[upload=jpg]Upload/200621310235180571.jpg[/upload]
天神 - 2006/2/13 10:37:00
[upload=jpg]Upload/20062131037843112.jpg[/upload]
其中的《霸王卸甲》是很值得聆听的曲目。
wondph - 2006/2/14 12:55:00
天神 在 2005-8-16 10:33:30 发表的内容
论坛某MM的推荐,谁听过此碟?
[upload=jpg]Upload/200581610332958250.jpg[/upload]


偶有,但并不喜欢。巴桑的嗓音的确纯正,但缺乏磁性,很干,难让人产生共鸣,只能作为民族的东西来欣赏,而不是自己心爱的声音。
只是个人见解。
lqdxy - 2006/2/14 21:28:00
其实藤田惠美、珍纳等辈根本算不上爵士歌手,她们的曲风还是流行类的,没多少JAZZ的成分;DIANA KRALL、PATRICIA BARBER、择先花等才称得上是真正的JAZZ歌手。还有香港瑞成代理的《爵士女伶》系列,收录的歌曲涵盖JAZZ、乡村、流行多种风格,其英文名为《BEST AUDIOPHILE VOICE》,并未说是纯粹的JAZZ人声,瑞成公司代理后加上了“爵士女伶”的侧标,实际有误导之嫌!
仁厚里权少 - 2006/2/14 11:41:00
楼主,俺钟意听cafe blue啊
绛州 - 2006/2/14 16:16:00
喜欢刘雅丽的<风继续吹><我中春天有个约会>
梅子黄时雨 - 2006/2/14 15:07:00
强帖
绛州 - 2006/2/14 16:24:00
藤田惠美,属于清丽、平淡中见真情的类型,爵士味不是很浓,但同样让人陶醉
绛州 - 2006/2/14 16:33:00
每次听盲人歌唱家波瑟利的声音,都让人肃然起敬!听到的不单是音乐,更是一种精神!
天神 - 2006/2/15 8:42:00
lqdxy 在 2006-2-14 21:28:14 发表的内容
其实藤田惠美、珍纳等辈根本算不上爵士歌手,她们的曲风还是流行类的,没多少JAZZ的成分;DIANA KRALL、PATRICIA BARBER、择先花等才称得上是真正的JAZZ歌手。还有香港瑞成代理的《爵士女伶》系列,收录的歌曲涵盖JAZZ、乡村、流行多种风格,其英文名为《BEST AUDIOPHILE VOICE》,并未说是纯粹的JAZZ人声,瑞成公司代理后加上了“爵士女伶”的侧标,实际有误导之嫌!
同意,不过这张该算了,对不?记得老兄也有一张的。
[upload=jpg]Upload/20062158415985150.jpg[/upload]
天神 - 2006/2/15 9:30:00
[upload=jpg]Upload/20062159295957163.jpg[/upload]
这碟很是经典的,大家收了没有?
天神 - 2006/2/15 8:39:00
wondph 在 2006-2-14 12:55:33 发表的内容
偶有,但并不喜欢。巴桑的嗓音的确纯正,但缺乏磁性,很干,难让人产生共鸣,只能作为民族的东西来欣赏,而不是自己心爱的声音。
只是个人见解。
如果兄台用英系的音箱聆听都觉得干的话,那用丹拿岂不更干?所以我没有打算买下此碟。
lqdxy - 2006/2/15 10:38:00
ROD STEWART被称作“摇滚公鸡”,其成名作是《SAILING》(航行),他也唱JAZZ歌?
沙粒 - 2006/2/15 8:51:00
我不大同意溪秀兰的观点,最近刚买了风潮出的童声合唱十张,觉得远不如雨果的《山童》,伴奏用的电子乐器,就让人觉得没有诚意不够专业,效果不好。
lqdxy - 2006/2/15 10:15:00
天神 在 2006-2-15 8:42:16 发表的内容
同意,不过这张该算了,对不?记得老兄也有一张的。
[upload=jpg]Upload/20062158415985150.jpg[/upload]


不错,这张是100%的JAZZ人声。但此专辑本人并未收,因为在三盲鼠和FIM出的精选里已包含了多首这张专辑里的曲目。
天神 - 2006/2/15 10:58:00
lqdxy 在 2006-2-15 10:38:39 发表的内容
ROD STEWART被称作“摇滚公鸡”,其成名作是《SAILING》(航行),他也唱JAZZ歌?
对,挺有意思的,如果见到YLJ可以收一张试试。
天神 - 2006/2/15 10:35:00
[upload=jpg]Upload/200621510352842803.jpg[/upload]
天神 - 2006/2/15 14:34:00
这张唱片不能不说是一个突破,无论风格还是韵味,录音方面也让人感受到欧丁玉大哥的努力!
[upload=jpg]Upload/20062151433426356.jpg[/upload][upload=jpg]Upload/200621514331946945.jpg[/upload]
天神 - 2006/2/15 10:29:00
[upload=jpg]Upload/200621510281613572.jpg[/upload]
这也是一张很有个性的爵士情歌,歌唱者的声音非常沙哑、生鬼,值得一听。
天神 - 2006/2/17 15:05:00
曲目方面还是很经典的:
[upload=jpg]Upload/20062171552559491.jpg[/upload]
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