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chopin - 2010/3/5 11:39:00
垂钓 - 2010/3/5 11:52:00
可怜的娃，想买新录音买了老录音（。。。。。。。。。。。。
chopin - 2010/3/5 12:00:00
nnd，幸灾乐祸。
sunstone - 2010/3/5 12:04:00
看封面照就不是新录音嘛^_^
chopin - 2010/3/5 12:26:00
目录上的封面是阿姐的近照，那叫一个老哦。
和谐花园 - 2010/3/5 12:29:00
应该是是粗心马虎吧...
bluesky - 2010/3/5 12:29:00
阿姐很长时间不搞独奏录音了。
vansky - 2010/3/5 12:32:00
These previously unpublished German Radio broadcast recordings (all but one from 1967) capture Martha Argerich's Chopin at its youthful peak: impetuous, rhapsodic, musically loaded for bear, and pianistically uncanny.
The disc opens with a fervent and daring G minor Ballade from 1959--the 18-year-old Argerich already was Argerich. The Op. 59 No. 1 and 2 Mazurkas' winsome rubatos and dynamic taperings do not substantially differ from those on Argerich's 1967 DG Chopin solo disc. By contrast, No. 3 from the same group pushes a little harder and contains similarly telegraphed phrases (that is, where the right hand slightly anticipates the downbeat).
My opening sentence adjectives particularly apply to the B minor sonata, which essentially adheres to the studio recording's game plan, but with a more expansive Largo in tow. While the rippling calm of the Op. 15 No. 1 Nocturne's outer sections proves more satisfying than Argerich's less stable 1965 EMI version, Op. 55 No. 2's sublime polyphonic web occasionally tangles and overheats. Overheating, however, doesn't hurt the Op. 10 No. 4 Etude, served up with impressive finger power and nervous energy, notwithstanding an overpedaled coda.
Perhaps a group of five mazurkas (four of them previously unrecorded by Argerich) best profile the pianist's individuality. Her fluid rubato and ethereal melody/accompaniment separation create a hypnotic languor in the E minor Op. 41 No. 1 and F minor Op. 63 No. 2 pieces. The C-sharp minor Op. 41 No. 4 begins deliberately, working its way up to controlled abandon. Little rhythmic kicks and offbeat stresses lend interest to the D major Op. 33 No. 2's repeating main strain, while the quirky C major Op. 24 No. 2 is lithe and uncommonly brisk--it nearly finishes before it starts. The less said about Jürgen Otten's fatuous program notes, the better, yet one cannot say enough about vintage Argerich.
--Jed Distler, ClassicsToday.com
vansky - 2010/3/5 12:33:00
1. Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1831-1835
Date of Recording: 1/26/1959
Venue: Studio 7, RIAS
2. Etudes (12) for Piano, Op. 10: no 4 in C sharp minor, B 74 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1832; Poland
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
3. Mazurkas (4) for Piano, Op. 41: no 1 in C sharp minor by Frédéric Chopin
Period: Romantic
Written: 1839; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
4. Mazurkas (4) for Piano, Op. 41: no 2 in E minor by Frédéric Chopin
Period: Romantic
Written: 1838; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
5. Mazurkas (4) for Piano, B 89/Op. 24: no 2 in C major by Frédéric Chopin
Period: Romantic
Written: 1834-1835; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
6. Mazurkas (3) for Piano, B 162/Op. 63: no 2 in F minor by Frédéric Chopin
Period: Romantic
Written: 1846; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
7. Mazurkas (4) for Piano, B 115/Op. 33: no 2 in D major by Frédéric Chopin
Period: Romantic
Written: 1837-1838; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
8. Nocturnes (3) for Piano, Op. 15: no 1 in F major by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1830-1833
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
9. Nocturnes (2) for Piano, B 152/Op. 55: no 2 in E flat major by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1843; Paris, France
Date of Recording: 12/3/1967
Venue: Studio Lankwitz, RIAS
10. Mazurkas (3) for Piano, B 157/Op. 59 by Frédéric Chopin
Period: Romantic
Written: 1845; Paris, France
Date of Recording: 10/31/1967
Venue: Concert Hall 2, WDR Köln
11. Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin
Performer: Martha Argerich (Piano)
Period: Romantic
Written: 1844; Paris, France
Date of Recording: Live 3/15/1967
Venue: Hochschule für Musik, Berlin
scfan - 2010/3/5 12:39:00
那要投诉的，眼看就315了。
请问肖邦兄，这枚单声道录音的转制如何？
收音机脑壳 - 2010/3/5 12:59:00
整张都是单声道？？
mzl - 2010/3/5 13:05:00
按倒霉处理！
莱纳 - 2010/3/5 13:16:00
说说听感啊~
chopin - 2010/3/5 14:10:00
原帖由 scfan 于 2010-3-5 12:39:00 发表
那要投诉的，眼看就315了。
请问肖邦兄，这枚单声道录音的转制如何？ |
除了第一首g小调叙事曲是1959年的录音稍差点，其它都是1967年的录音，基本尚可。
chopin - 2010/3/5 14:11:00
封底标的都是单声。
chopin - 2010/3/5 14:13:00
呵呵，只粗听了一遍，依然是阿姐的一贯风格，下手干净利索，没什么深思熟虑的，第三奏鸣曲是现场，比她在DG的录音室版还要快。
chopin - 2010/3/5 14:15:00
DG又翻出了古尔达的两张肖邦录音，也是单声道，想想他那套莫扎特奏鸣曲的糟糕录音，搞得我都不敢买了。
CJ御姐控 - 2010/3/5 14:37:00
莫扎特的票友 - 2010/3/5 14:53:00
正说打算入手这张，却刚在外国BT网上下了，听了后单声道不说，演绎上个人听了没什么感觉。DG这次不过是炒的是概念股。
scfan - 2010/3/5 15:22:00
肖邦兄想听阿姐的新录音，不妨找找DVD，近年来阿姐在欧洲的不少现场都出的DVD，比如07-08年在瑞士Verbier的独奏现场，08年萨尔斯堡音乐节的现场（和Capucon兄弟以及杜达梅尔合作贝多芬三重协奏曲）
d9 - 2010/3/5 15:26:00
不要光看页面上标的DDD
可以点击具体曲目，然后会跳出一个窗口，显示相应的录音地点时间，处理方式，制作人等等
chrisspher - 2010/3/5 15:29:00
哎，自己不仔细啊，DG的tracklist的详细内容里面录音年代写得很清楚啊。
chopin - 2010/3/5 15:40:00
呵呵，是没看仔细，主要是被目录上的照片和DDD误导，提早就预定了。
bluesky - 2010/3/5 16:20:00
原帖由 chopin 于 2010-3-5 14:13:00 发表
呵呵，只粗听了一遍，依然是阿姐的一贯风格，下手干净利索，没什么深思熟虑的，第三奏鸣曲是现场，比她在DG的录音室版还要快。 |
比之EMI 1965年的录音室版本如何？
chopin - 2010/3/5 17:08:00
各有千秋，半斤八两。
chrisspher - 2010/3/5 21:57:00
原帖由 chopin 于 2010-3-5 15:40:00 发表
呵呵，是没看仔细，主要是被目录上的照片和DDD误导，提早就预定了。 |
下次要多看两家别的网站，比如jpc上会对唱片的录音年代加以标注的。一家网站的出错概率不小，但两家、三家一起出错还错在一块儿就不太可能。
拂晓之歌 - 2010/3/5 22:20:00
汗，居然是老录音啊，光看封面我也以为是新录音。
jerrypan - 2010/3/5 22:40:00
DG这些MONO不是给人听的，是让大家收藏的，我也买过几张MONO的，其中两张迪卡的是限量版。
裁缝 - 2010/3/5 22:57:00
昨晚广东音乐台的古典纵横节目播了一些阿格里奇的肖邦老录音，就是科隆跟柏林的现场录音，感觉还不错，底噪比较大，还以为是黑胶呢。
chopin - 2010/3/6 11:24:00
看看DG2009年目录上发布的这张唱片显然是故意误导。
