发烧论坛

注册

 

发新话题 回复该主题

请教一下,这DG与DECCA的米尔斯坦应该是一个版本版 [复制链接]

1#
[upload=jpg]Upload/200673121102623882.jpg[/upload][upload=jpg]Upload/200673121103752117.jpg[/upload][upload=jpg]Upload/200673121104754405.jpg[/upload]

查不到资料,感觉应该是一个录音
是Decca拿过DG的录音重新制作发行?

望指教
分享 转发
TOP
2#

尤文 在 2006-7-31 21:30:14 发表的内容
如果是柴小鞋,买第三张,新出的。


是对画廊版的不太满意。新出大禾花没听过
准备从大禾花或decca再选一个
TOP
3#

[quote]尤文 在 2006-7-31 21:39:58 发表的内容
买新出的右边那张。

[upload=jpg]Upload/200673121395723992.jpg[/upload][/quotoe]

OK!多谢,准备买右边

尤文 兄decca的那版也有了吗?到底与dg是否同一版呢?
TOP
4#

一直英文没学好,下面这点意思是不是与DG是不同的录音?:
“There is good detail and a fine balance between solo instrument and orchestra in these early-1970s recordings, which were originally issued by Deutsche Grammophon”
TOP
5#

尤文 在 2006-7-31 21:15:42 发表的内容
同一录音。


刚刚在亚马逊看到一段,好像比DG晚一些,一直对DG的这个录音不是很满意,如果是Decca同样阵容也有录音,真是太好了:
Ever the patrician in his phrasing, tone, and manner, Nathan Milstein tempers virtuosity with warm sentiment in both of these popular concertos. There is a feeling of continuity to his interpretation that allows each piece to unfold rhapsodically, almost as if it were taking shape spontaneously under his fingers. Claudio Abbado and the Vienna Philharmonic create a dark, burnished background against which Milstein's playing glows like an ember. Tempos are brisk, especially in the Mendelssohn, but the phrasing is assured, and there's no sense of undue haste at any point. There is good detail and a fine balance between solo instrument and orchestra in these early-1970s recordings, which were originally issued by Deutsche Grammophon, but the pickup still sounds slightly too distant and a couple of poorly done splices are readily apparent. --Ted Libbey
TOP
发新话题 回复该主题