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打假CD ( 卡拉扬和古尔达 的门德尔松钢琴协奏曲)!!! [复制链接]

1#
大家来看看这个假的让人笑破肚皮的大师合作CD。竟然还受欢迎??



原文,

版本:安徽文化音像出版社
世纪伟大指挥家系列 VOL.3 门德尔松钢琴协奏曲  
钢琴:古尔达  
协奏:柏林爱乐乐团   
指挥:卡拉扬   


门德尔松共写过3首钢琴协奏曲,他的《G小调第一钢琴协奏曲》(OP.25)一直被列在古典音乐热门排行榜上,这部作品写于1931年,据说是作曲家为他的女友台尔芬所作,记载了门德尔松在慕尼黑的一段维忘的恋情,充满了雅致的技巧和纤细的抒情,作品风格轻盈浮动,和煦动人,是门德尔松古典主义音乐风格最完美的体现;而另一首《D小调第二钢琴协奏曲》(OP.40)写于1937年,也是门德尔松的经典珍藏曲目。首乐章热情的快板仿佛叩打人心扉的青春节拍,而接下来的柔板则清秀柔美,娴静朦胧,在诙谐的急板中,乐章划上了圆满的句号,而听众也醉倒在这最美丽纯净的音乐圣地!本碟的另一首协奏曲是《A小调钢琴协奏曲》无编号,是门德尔松早期(1922年)为钢琴和弦乐而作的。这张专辑收录全了这三部作品,由指挥大师卡拉杨指挥柏林爱乐与钢琴怪杰古尔达(Friedrich Gulda)合作演出
。。。。。。。。。。。。。。。。。。。



我的简单回答》

gulda 1942年12月4号第一次音乐会到1999年11月4号最后一场,
没和 karajan 合作过一次,呵呵。
没有任何
录音!!!


他和karajan的第一次交锋是 Karl Boehm 率领维也纳爱乐南美巡演由Gulda独奏贝多分,但在行前由Gulda单方毁约。karajan得息后找Gulda谈和他合作的说谓前途问题。gulda 的回答是,我的音乐前途不需 Boehm 更不需要你Karajan!
 
和Gulda 合作过的指挥大师 如, Paul Hindemith.(1953),Clemens Kraus (1953),Georg Szell (1966),Hans Swarovsky( 梅塔 和阿巴多的老师)。和Karl Boehm ,Abbado 合作是最多的!


gulda的儿之Paul 在老爹去世后在DG查过所有的录音档案后证实gulda没有和Karajan的录音。但有记载,karajan曾经有意和Gulda (柏林爱乐)再录全套贝多芬钢协,并由DG出面和Gulda策划该项目,但被Gulda拒绝。这之后 Gulda 停签了和DG的合同。其中精力和慕尼黑的乐团合作并自己指挥。同时建立了个人的录音公司,当然,他最大的爱好是爵士乐的演奏。早在60年代他就和爵士乐名流如,Ella, Oscar Peterson。。。等 合作。
最后编辑Heifetz1 最后编辑于 2009-02-18 08:00:15
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Der Zeit Ihre Kunst , Der Kunst Ihre Freiheit.
The art for the time , the freedom for the art.

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2#

原帖由 vadervader 于 2009-2-18 9:44:00 发表
首先这张唱片我也很怀疑,有高手能甄别出真正演义人是谁挖?老卡的确没有录过门德尔松钢协,不过不排除现场的可能.
TO LZ古尔达和卡拉扬有过数次合作,有书籍为证,此外去年也发行了他们两人的现场录音唱片.
老卡有很多......


为此事我给奥地利维也纳的Gulda专家Mag. Rainer Nova 打过电话,同时,通过朋友直接问过Gulda 的儿之,他们都否认 和karajan的音乐会合作一事! 
有关Gulda 和Karajan的现场录音,我在欧洲的朋友都否认此事,起码在欧洲市场上,网站上就从未见过。


这里是Gulda家族和Mag. Rainer Nova的Gulda网站,
http://www.gulda.at

Telefon: 0043 699 11 400 266
e-mail: info@gulda.at
Der Zeit Ihre Kunst , Der Kunst Ihre Freiheit.
The art for the time , the freedom for the art.

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3#

这是Gulda 的生平大事记。 可能我看漏了? 。。。。。

1930    Friedrich Gulda was born on 16 May in Vienna. He was the second child of Friedrich Johann Gulda (1888-1957) and Marie Aloysia Gulda, née Súttay (1893-1984).    

1936    Attended primary school on Kolonitzgasse in the third district of Vienna.    

1937    First piano lessons at the Wiener Volkskonservatorium (or Viennese Conservatory) in the second district of the city.

1938    In contrast to his elder sister, Hedwig (born in 1928), who gave up her piano lessons after just one year, Friedrich Gulda (or Fritz as his parents called him) continued his lessons and received private instruction from Professor Felix Pazovsky from this date until 1942.    

1939    First composition: “Allegretto für Klavier“    
Manuscript

1942    Completed the entrance examination for the then “Reichshochschule für Musik Wien” (or Viennese College for Music). He was encouraged by Professor Bruno Seidlhofer to study music theory with Professor Dr Joseph Marx, in addition to his study of the piano.    
    His first public performance took place on 20 December during the second concert of the “Reichshochschule für Musik Wien“ in the “Brahmssaal” (or Brahms Auditorium) of the Gesellschaft der Musikfreunde (or Society of Music Friends).    
Programme

1944    On 24 June, solo performance in Schumann’s Piano Concerto in A-minor at the final concert in the “Reichshochschule für Musik Wien“ with the Viennese Symphony Orchestra in the Große Musikvereinssaal (the Große Saal or Large Hall is also known as the Golden Hall. It is situated in the Musikverein, which translated simply means "music club") in Vienna.    

1945    Marie Gulda spent the end of the war together with her two children in Margarethen am Moos (approximately 25 kilometres south-east of Vienna). For a short time, Friedrich Gulda trained the local choir and acted as church organist. Friedrich Gulda (senior) returned to Vienna in September after release from captivity as a Russian prisoner of war.

1946    Awarded first prize at the “Internationaler Musikwettbewerb“ (or International Music Competition) in Geneva.    
Report
    On 22 November, solo performance in Beethoven’s 4th Piano Concerto with the Viennese Symphony Orchestra at the “Konzert der österreichischen Preisträger am internationalen Wettbewerb in Genf 1946“ (or Concert of the Austrian Prize Winners from the International Music Competition in Geneva 1946) given in the Große Musikvereinssaal at the Musikverein in Vienna.    
Photo
Programme
    First solo concert in the Große Musikvereinssaal took place on 10 December and included works by Bach, Beethoven, Schubert, Chopin, Debussy and Prokofiev.    
Report

1947    Premiere of “Messe in B-Dur“ (or Mass in B-Major) (final composition for Professor Marx) on 17 April in the parish church at Simmering in Vienna.    
    Passed final piano examination on 17 June with distinction.    

1948    The young pianist performed around 30 concerts which took him across Europe    

1949    First tour of South America consisting of 37 concerts, including performances in Rio de Janeiro, Sào Paolo, Montevideo and Buenos Aires.    

1950    Debut at Carnegie Hall in New York on 11 October –
Report
    afterwards, first impressions of live jazz performance at the New York “Birdland“ club.    
Letter
    Performed a total of more than 70 concerts.    


1951    Premiere of “Galgenlieder“ (or Gallows Songs) (original edition) on 7 April at the Wiener Konzerthaus (or Viennese Concert House).    
Report
    Debut at the Salzburger Festspiele (or Salzburg Festival) on 3 August.    

1952    Exceptional programme during the concert in the Große Musikvereinssaal on 29 January, including pieces by Bartok, Prokofiev and Schönberg.
    Jazz performance at the “Strohkoffer“ in Vienna, together with Joe Zawinul and Fatty George amongst others.    
Photo

1953    Performance of all 32 piano sonatas by Beethoven in chronological order in Vienna.    
    Recording of “Galgenlieder“ at the RAVAG studio in Vienna in October.    
    Premiere performance of “Musik für Streichquartett“ (or Music for String Quartet) by the Samohyl Quartet on 30 November in the Mozartsaal (Mozart Hall) of the Viennese Konzerthaus.    
    At the beginning of December, Friedrich Gulda played Prokofiev’s 3rd Piano Concerto many times, conducted by Paul Hindemith    
    Debut performance with the Viennese Philharmonic Orchestra on 14 December (Mozart Concerto in C-Minor KV 491, conducted by Clemens Kraus).    

1954    Led his first master class at the "Internationale Sommerakademie Mozarteum" (or Mozarteum International Summer Academy) in Salzburg.    
    Martha Argerich travelled to Vienna to take private lessons with Friedrich Gulda.    

1955    Foundation of the “Klassisches Gulda Orchester“ (or Classical Gulda Orchestra).    
Report
    Made first recordings of his own jazz compositions and arrangements at the RAVAG studio in Vienna.    
Report
    Opening of “Fatty´s Saloon“ – focal point of the Viennese jazz scene and at the same time, one of the largest jazz establishments in Europe.    
Photo

1956    Marriage to Paola Loew – shortly followed by the birth of his first son, David Wolfgang Gulda, on 27 January (coincidentally Mozart’s 200th birthday).
Photo
    Debut performance at “Birdland“ club in New York on 21 June (14 day engagement); followed by participation at the “Newport Jazz Festival“.    
Bericht

1957    Publication of the essay “Jazz und wir“ (or “Jazz and Us“) in the “Österreichische Musikzeitung” (ÖMZ) (or “Austrian Music Journal”).    
Essay

1958    Completion of Gulda’s recordings of all 32 Beethoven piano sonatas at Decca Records. Nevertheless, the first complete recording was made at the ORF (or Austrian Broadcasting) Broadcasting Centre in Vienna in 1953.    
    Chamber music concertos with the cellist, Pierre Fournier, the Wiener Konzerthausquartett (or the Viennese Concert House Quartet) and the Bläservereinigung der Wiener Philharmoniker (or the Wind Ensemble of the Viennese Philharmonic Orchestra).    
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1960    Continued to give concerts as a classical pianist (112 performances), although works played frequently at the beginning of his career such as Prokofiev’s 7th piano sonata, Mussorgsky’s “Pictures at an Exhibition“ or Bartok’s Suite op.14 had completely disappeared from Gulda’s repertoire in the meantime.    

1961    Paul Gulda, Gulda’s second son from his marriage to Paola Loew, was born on 25 October.    
    End of October, Friedrich Gulda held a workshop in Hamburg (first performance of 3 jazz pieces: “A Wild One“, “Awakening“, “Tehran“).    

1962    Friedrich Gulda played baritone saxophone for the first time during a jazz-workshop-concert at the “Ruhrfestspiele” (or Ruhr Festival) at the end of June (first performance of “Music for 3 Soloists and Band”).
Photo
    Following the opening concert at the Berliner Festwochen (or Berlin Festival) (23 and 24 September) and a jazz evening in Berlin (2 October) including the premiere performance of “Music for Piano and Band No. 1”, Friedrich Gulda withdrew from concert performance altogether and cancelled any outstanding concert dates.    

1963    From September, some sporadic appearances as a classical pianist    

1964    Tour of South America: First half of the concert programme: classical piano music; second half: jazz trio together with Jimmy Rowser and Albert Heath, performing his compositions (”Little Suite“, ”The Horn and I“, ”The Air from other Planets”, “Prelude and Fugue”).
Programme
    First performances by the newly founded “Eurojazz-Orchester” take place in Graz and Vienna at the end of May (first performances of “Music for Piano and Band No. 2” and “The Veiled Old Land”).    
Programme
Video


1965    Performed “Music for Piano and Band No. 2” together with the ”L.A. Neophonic Orchestra” on 4 January in Los Angeles.
    Participation in Jazz Workshop (Hamburg) and Jazz-Fernsehfilm (Vienna) at the end of February.    
    Premiere performance of the revised “Galgenlieder“ on 13 June 1965 at the Viennese Konzerthaus together with singers, Christa Ludwig and Walter Berry.    
Report

1966    Friedrich Gulda instigated the “Internationaler Wettbewerb für Modernen Jazz Wien 1966“ (or Viennese International Competition for Modern Jazz 1966), which took place in May.
Report
    Performed concerts with the “Eurojazz-Orchester“ and Joe Zawinul from 27 – 31 May in Vienna and Berlin (including the premiere performance of ”Variations for Two Pianos and Band“).    
    Opened the Wiener Festwochen (or Viennese Festival) together with the Viennese Philharmonic Orchestra, conducted by Georg Szell, performing Beethoven’s 5th Piano Concerto on 5 June in the Große Saal of the Viennese Musikverein.    
Video
    Friedrich Gulda and Paola Loew separated and he relocated from Vienna to Zurich.    

1967    First tour of Japan in February.
    Friedrich Gulda married his second wife, Yuko Wakiyama.    
    New recordings of all the Beethoven Sonatas for “Amadeo“ in July.    

1968    Rico Gulda, Friedrich Gulda’s third son, was born on 9 April in Zurich.
Photo
    Friedrich and Yuko Gulda relocated to Munich together with their son, Rico.    
    Friedrich Gulda instigated the “1. Internationale Musikforum Ossiachersee 1968“ (or First International Music Forum of Ossiachersee 1968) with the theme: ”Improvisation in der Musik – gestern, heute, morgen“ (or Improvisation in Music – Yesterday, Today and Tomorrow).    
Programme
    On 14 November, Friedrich Gulda was awarded the “Deutsche Schallplattenpreis 1968“ (or German Record Prize 1968) for the recording with “Amadeo” of 32 Beethoven Sonatas.    

1969    Cyclical performance of 32 Beethoven Sonatas on eight evenings (from 28 May to 21 June) at the Viennese Konzerthaus.
    On 15 June, Friedrich Gulda was awarded the ring of honour at the “3. Wiener Beethovenwettbewerb“ (or “Third Viennese Beethoven Competition”). His subsequent provocative and critical acceptance speech led to a scandal unprecedented in the history of the Wiener Musikakademie (or Viennese Academy of Music) and five days later, he returned the ring.    
Rede
Report
    The theme of the “2.Internationale Musikforum Ossiachersee 1969“ (or Second International Music Forum of Ossiachersee 1969) was “Freiheit und Willkür, Bindung und Zwang im Spiegel der Musik“ (or “Freedom and Chance, Commitments and Constraints mirrored in Music”). It was held from 27 June to 5 July.    
Programme
    On 8 July, Friedrich Gulda appeared on Gerhard Bronner’s TV show “Die große Glocke“ (approximately “Shout it from the Rooftops“) dressed up as Albert Golowin – a character he had invented himself    
Report
Video
    On 30 November at the Viennese Konzerthaus, Friedrich Gulda performed his first piano concert to consist exclusively of his own compositions.    
    Friedrich Gulda led a jazz workshop for Hamburg Television (including the premiere performance of “Wheel in the Right Machine – Workshop Suite”) on 7 December.
Speech
Der Zeit Ihre Kunst , Der Kunst Ihre Freiheit.
The art for the time , the freedom for the art.

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4#

2,
1970    In September, the first articles were published in the press concerning Friedrich Gulda’s planned musical “Drop-Out“.
Report
    Various premiere performances including: “Variationen über Light My Fire” (or “Variations on Light my Fire”) (30 June), “Sinfonie in G” (or “Symphony in G”) (20 November), “Suite for Piano, E-Piano and Drums”, “Introduktion und Scherzo“ (or “Introduction and Scherzo”) (both on 25 November).    

1971    Following a one-year break, the “3.Internationale Musikforum“ (or Third International Music Forum) on the Ossiachersee, with performances by Pink Floyd and Joe Zawinul’s “Weather Report“, goes off without a hitch (Theme: “Erste, zweite, dritte Welt? – Weltsprache Musik“ or “First, Second, Third World? – Music as a Universal Language“).
Video 1
Video 2
Video 3
Video 4

    Friedrich Gulda performed with Paul and Limpe Fuchs for the first time.
Video
    Numerous concert evenings held during the Autumn with programmes consisting exclusively of works by J.S. Bach und F. Gulda.    
    Various premiere performances, including: “Play Piano Play“ (12 March), “Concertino for Players and Singers“ (13 December).    

1972    Joint concerts together with “Weather Report“, performing throughout South America from 24 April until 15 May (final South America tour).
    Performance in Villingen (Germany) at the beginning of April. The first complete performance of Book One of Bach’s “Wohltemperiertes Klavier“ (WTK) (or “Well-Tempered Clavier”) took place in Rio de Janeiro on the 17 May.    
    “Anima“ – “Freie Musik“ (or “Anima” – “Free Music”) with Paul and Limpe Fuchs – including performances in Vienna, Salzburg, Zurich and Frankfurt.    
Report

1973    Numerous “Anima“ concerts, partly beginning with Preludes and Fugues from Bach’s WTK.
    The second complete performance of Book Two of Bach’s WTK took place on 18 May in Tulln.
On 22 and 29 May respectively, Gulda performed the complete WTK at the Viennese Konzerthaus.    
Report
    The “Musikforum“ was forced to relocate from Ossiach to nearby Viktring.    
Report
    Separation from Yuko Gulda.    

1974    First solo evening without a fixed programme at the Viennese Konzerthaus.
    “Projekt Anima“ took place from 26 July to 6 August. It involved 10 concerts in and around Salzburg together with Albert Mangelsdorff, Barre Phillips and Mounir Baschir amongst others.    
Report
    Only sporadic performances as a classical pianist.    
    Premiere performances of: “Für Paul“ (or “For Paul“) (15 January) and “Wings” (29 March), amongst others.    
    Friedrich Gulda met his third partner, Ursula Anders.    
Report

1975    Numerous concert evenings of “Freie Musik“ together with Ursula Anders, partly combined with classical piano music during the first half of the performance.
    Premiere performance of “G´schichten aus dem Golowinerwald“ (Stories from the Golowin Forest) at the Viennese Konzerthaus on 27 May.    
Report
    Friedrich Gulda moved his main residence to Weißenbach am Attersee.    

1976    With the exception of performances at “Tage Freier Musik“ (or “Days of Free Music” (19 – 22 August) at Schloss Moosham (or Castle Moosham) in the Lungau region of Salzburg with Cecil Taylor, Barre Phillips, John Surman and Albert Mangelsdorff amongst others, Friedrich Gulda appeared at more than 20 concerts, performing exclusively “Freie Musik“ with Ursula Anders.    

1977    Continued to perform more or less exclusively “Freie Musik“ with Ursula Anders.
    On 5 and 6 December, Friedrich Gulda performed his own works at concerts at the Viennese Konzerthaus. The concerts were entitled “Guldas eigene Klassik“ (or Gulda’s Own Classics”) and included joint performances with Fritz Pauer, Roland Batik, Erich Kleinschuster and the ORF Big-Band amongst others.
Report

1978    Stage performance of “Besuch vom alten G.“ (or Visit of Old G.“) by and starring Friedrich Gulda, Kurt Meisel and Ursula Anders on 25 and 26 February at the Cuvilliés Theatre in Munich and at the Salzburger Landestheater (or Salzburg Regional Theatre) on 2 May.    
Report
    Friedrich Gulda performed three concerts, in Gmunden (15 -17 September), Vienna (12, 13 und 15 October) und Munich (17, 23 und 24 October) respectively, playing classical piano music for the first time in a long while in front of an audience, together with his own compositions and “Freie Musik“.    
Report

1979    Together with Joe Zawinul’s Band “Weather Report“, Dizzy Gillespie, Mounir Baschir and others, Friedrich Gulda played at the “Weltmusiktage“ der “Szene der Jugend“ (or “World Music Days of the Youth Scene“) in Salzburg in July.
Programme
    On 13 November, Friedrich Gulda made a surprise appearance at the Viennese Konzerthaus during the lead up to a performance by the pop singer, Randy Newman. He played Mozart Sonatas together with his own compositions and improvisations on the Fiakerlied (a folk song about a traditional Austrian horse and carriage).    
Report
    On 15 December, Friedrich Gulda presented a programme consisting purely of Mozart’s compositions, entitled “Mozart for the People“. The stage was lit using red lighting, the sound amplified through speakers and the audience was younger than average. He caused a commotion before the performance by abusing the spectators, calling them “stinking reactionaries“.    
Report
    From 16 – 18 December, he performed “Freie Musik“ again, together with Günther Rabl and Ursula Anders.    
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1980    In February, he performed “Bach for the People“ at the Brucknerhaus (or Bruckner House) in Linz on an electronically amplified clavichord.    
Report
Video
    Premiere performance of “Opus Anders“ on 22 September at the Brucknerhaus in Linz.    
Report
Photo
    Performed a total of 12 concerts, in which Mozart’s compositions for the piano were allotted more and more programme time.    

1981    Three matinees, performing all of Mozart’s Piano Sonatas at the Munich National Theatre in February, as well as three evening performances in Paris (19, 20 und 23 March) and at La Scala in Milan (1, 6 and 12 April).
Report
    Premiere performance of “Konzert für Violoncello und Blasorchester“ (or Concerto for the Violoncello and Wind Orchestra”) on 5 October in Villach with Heinrich Schiff as a soloist.    

1982    Concert with Chick Corea at the Münchner Klaviersommer (or Munich Piano Summer) on 27 June.    
    Premiere performance of “Concerto for Ursula“ on 18 September at the Berliner Philharmonic.    
Report

1983    Several concerts performing on two pianos together with Chick Corea, entitled “All-Music-Program“.    
    Performed “Concerto for Ursula“ on 2 March in Munich and 26 October in Paris    

1984    Recorded Mozart’s “Konzert für zwei Klaviere in Es-Dur KV 365” (or “Concerto in Es-Major for Two Pianos”) together with Chick Corea, Nikolaus Harnoncourt and the Amsterdam Concertgebouw Orchestra.    
Photo
Interview

1986    Friedrich Gulda performed classical piano recitals more frequently and increasingly dedicated himself to the works of Frédéric Chopin, sometimes with “Freie Musik” performed with Limpe Fuchs (“Consonanza personale“).
Report
    Participated in the Münchner Klaviersommer (four concerts at the beginning of July).    
Video
    Concert together with Wolfgang Ambros and Jessye Norman at a party thrown by their mutual record company on 5 September at the Viennese Konzerthaus.    
    Performed two duo-concerts together with Joe Zawinul in Cologne and Vienna at the end of November.    
Report
Photo

1987    Trio with Joe Zawinul and Chick Corea on 4 July at a jazz festival in the Viennese Stadthalle, as well as duo-concerts with Zawinul and Corea respectively in Parma, Barcelona, Winterthur and Innsbruck.    

1988    Premiere performance of “Concerto for Myself“ on 9 March at the Munich Philharmonic.    
Programme + entrance tickets
    On 26 July, one day before the opening of the Salzburg Festival, Friedrich Gulda first gave a concert together with Nikolaus Harnoncourt and the Chamber Orchestra of Europe on the Salzburger Domplatz (or Cathedral Square in Salzburg) followed by a jam session with Joe Zawinul’s Band “Syndicate“ on Kapitelplatz.
Friedrich Gulda proceeded to skip all further commitments for the Salzburg Festival, thereby causing a huge scandal.
Letter

1989    Appearance with Herbie Hancock at the Münchner Klaviersommer on 15 July.    
    Trio with Zawinul and Hancock on 24 July at the Salzburger Sporthalle (or Salzburg Sports Hall).    

1990    Conception and musical direction of the opening of the Viennese Festival (12 May) on the Rathausplatz (or Vienna’s City Hall Square) with the theme “Offene Grenzen“ (or Open Borders”) with Gulda’s newly established jazz-rock formation “The Paradise Band“ amongst others.
Video
    Performances with Barbara Dennerlein and Marilyn Mazur.    
Photo

1991    Solo recital in Paris with the title “Le Monde Musical de F. G.“ (or “Friedrich Gulda’s Musical World“) on 3 April.
    Last concert together with the Viennese Philharmonic Orchestra (Mozart’s Concerto KV 466 and Friedrich Gulda’s “Concerto for Myself“) on 30 September in Bratislava.    
    Numerous concerts entitled “Mozart no End and the Paradise Band“ (including dates in Vienna, Frankfurt, Zurich, Milan and Barcelona to name but a few).    

1992    Premiere concertante stage performance of "Paradise Island“ on 20 July at the Munich Philharmonic.    
Photo
Poster

1993    Third and final tour of Japan in November.    

1994    Programme of compositions exclusively by Bach, performed on the clavinova for the first time on 10 April at the Brucknerhaus.
    Mozart evenings in Berlin and Zurich in October.    
    First dance-music-events with DJs and the “Paradise Girls“ on 3 November in the Wiener Sofiensäle (or Viennese Sofien Halls) and on 5 November at the Brucknerhaus in Linz.    
Photo

1995    Friedrich Gulda played piano music by Mozart, which subsequently flowed into dance parties with DJs, the “Paradise Band“ and the “Paradise Girls“ in Munich (23 June) and Vienna (3 November).    

1996    “Mozartiana“ – a staged musical collage of Mozart’s original music, techno und house music at the Münchner Klaviersommer on 24 July.    
Poster

1997    “Mozartiana“ – Open air performance at the Linzer Klangwolke (a festival for art, technology and society which takes place annually in Linz) on 13 September.
    During the performance “The Gulda Experience“ on 23 November, Friedrich Gulda had the Große Wiener Konzerthaussaal (or the large hall at the Viennese Konzerthaus) cleared for dancing.    
    Friedrich Gulda set up his own company, “Paradise Productions“.    

1998    Friedrich Gulda hosted a clubbing on 29 October at the Radiokulturhaus Wien (or Viennese House of Radio and Culture), together with DJ Pippi and the “Paradise Girls“ with “Midnite Party“. He later described the TV recording of the event as his only relevant obituary.    
Report
Video

1999    On 28 March, Friedrich Gulda publicly staged his own death by initiating his own obituary, ahead of two planned Easter concerts due to take place in Salzburg, entitled “Friedrich Gulda’s Resurrection Party“.
    Friedrich Gulda played his last concert at the Viennese Musikverein on 4 November.
Concert diary
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2000    Friedrich Gulda died of a heart attack on 27 January 2000 – Mozart’s Birthday – at his flat in Weißenbach.    
Photo of his grave
Der Zeit Ihre Kunst , Der Kunst Ihre Freiheit.
The art for the time , the freedom for the art.

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5#

其实啊,我是Gulda的铁板粉丝,能听到他和老卡的录音可是件让我非常高兴的事!可弄来弄去有种被骗感费时,花钱。。。。结果没这么回事儿。你说它妈的气人不? 这让我想起那些如唐若甫等等 乐评,片评的家伙都跑道那里去啦?
Der Zeit Ihre Kunst , Der Kunst Ihre Freiheit.
The art for the time , the freedom for the art.

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