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nnd,是粗心马虎还是有意欺骗? [复制链接]

查看: 8279|回复: 40
1#
从DG公司2009-2010年的目录上就看到了这张阿格里奇的肖邦专辑,从曲目和目录上标注的DDD录音来看应该是阿姐的新录音,翘首期待了快一年最近才上市,DG官网上标注的依然是DDD录音,但曲目和目录上公布的有较大的不同,封面也换了,但编号不变。可拿到手才发现原来是阿姐在1959年至1967年的老录音,在科隆和柏林的电台录音和一首现场音乐会实况,ADD单声道。看来DG发掘文物的尽头越发大了,还犹抱琵琶半遮面。

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别和我比懒,我懒的和你比。
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2#

                         可怜的娃,想买新录音买了老录音(。。。。。。。。。。。。
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3#

回复 2# 垂钓 的帖子

nnd,幸灾乐祸。
别和我比懒,我懒的和你比。
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4#

看封面照就不是新录音嘛^_^
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5#

回复 4# sunstone 的帖子

目录上的封面是阿姐的近照,那叫一个老哦。
别和我比懒,我懒的和你比。
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6#

应该是是粗心马虎吧...
出私藏古典碟,请移步:
http://www.douban.com/photos/album/64505585/
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7#

阿姐很长时间不搞独奏录音了。
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8#

These previously unpublished German Radio broadcast recordings (all but one from 1967) capture Martha Argerich's Chopin at its youthful peak: impetuous, rhapsodic, musically loaded for bear, and pianistically uncanny.
The disc opens with a fervent and daring G minor Ballade from 1959--the 18-year-old Argerich already was Argerich. The Op. 59 No. 1 and 2 Mazurkas' winsome rubatos and dynamic taperings do not substantially differ from those on Argerich's 1967 DG Chopin solo disc. By contrast, No. 3 from the same group pushes a little harder and contains similarly telegraphed phrases (that is, where the right hand slightly anticipates the downbeat).

My opening sentence adjectives particularly apply to the B minor sonata, which essentially adheres to the studio recording's game plan, but with a more expansive Largo in tow. While the rippling calm of the Op. 15 No. 1 Nocturne's outer sections proves more satisfying than Argerich's less stable 1965 EMI version, Op. 55 No. 2's sublime polyphonic web occasionally tangles and overheats. Overheating, however, doesn't hurt the Op. 10 No. 4 Etude, served up with impressive finger power and nervous energy, notwithstanding an overpedaled coda.

Perhaps a group of five mazurkas (four of them previously unrecorded by Argerich) best profile the pianist's individuality. Her fluid rubato and ethereal melody/accompaniment separation create a hypnotic languor in the E minor Op. 41 No. 1 and F minor Op. 63 No. 2 pieces. The C-sharp minor Op. 41 No. 4 begins deliberately, working its way up to controlled abandon. Little rhythmic kicks and offbeat stresses lend interest to the D major Op. 33 No. 2's repeating main strain, while the quirky C major Op. 24 No. 2 is lithe and uncommonly brisk--it nearly finishes before it starts. The less said about Jürgen Otten's fatuous program notes, the better, yet one cannot say enough about vintage Argerich.

--Jed Distler, ClassicsToday.com
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9#

1.  Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1831-1835
  Date of Recording: 1/26/1959
Venue:  Studio 7, RIAS



2.  Etudes (12) for Piano, Op. 10: no 4 in C sharp minor, B 74 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1832; Poland
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



3.  Mazurkas (4) for Piano, Op. 41: no 1 in C sharp minor by Frédéric Chopin

Period: Romantic
Written: 1839; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



4.  Mazurkas (4) for Piano, Op. 41: no 2 in E minor by Frédéric Chopin

Period: Romantic
Written: 1838; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



5.  Mazurkas (4) for Piano, B 89/Op. 24: no 2 in C major by Frédéric Chopin

Period: Romantic
Written: 1834-1835; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



6.  Mazurkas (3) for Piano, B 162/Op. 63: no 2 in F minor by Frédéric Chopin

Period: Romantic
Written: 1846; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



7.  Mazurkas (4) for Piano, B 115/Op. 33: no 2 in D major by Frédéric Chopin

Period: Romantic
Written: 1837-1838; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



8.  Nocturnes (3) for Piano, Op. 15: no 1 in F major by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1830-1833
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



9.  Nocturnes (2) for Piano, B 152/Op. 55: no 2 in E flat major by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1843; Paris, France
  Date of Recording: 12/3/1967
Venue:  Studio Lankwitz, RIAS



10.  Mazurkas (3) for Piano, B 157/Op. 59 by Frédéric Chopin

Period: Romantic
Written: 1845; Paris, France
  Date of Recording: 10/31/1967
Venue:  Concert Hall 2, WDR Köln



11.  Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin

Performer:  Martha Argerich (Piano)
Period: Romantic
Written: 1844; Paris, France
  Date of Recording: Live 3/15/1967
Venue:  Hochschule für Musik, Berlin
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10#

那要投诉的,眼看就315了。
请问肖邦兄,这枚单声道录音的转制如何?
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