One of the greatest pianists of the 20th century, Sviatoslav Richter was also one of the most self contained, enigmatic and elusive artists of the time.A fierce self-critic he seldom was happy with the results of his recordings. His criticism often embraced conductors, producers and sound engineers. These recordings capture him a wide range of concertos from Bach to Britten, via his beloved Haydn, Mozart, Beethoven (though he only recorded his concertos 1&3 and the Triple Concerto) and Brahms. Many of the recordings date from prior to the commercial releases. The Dvorak here is from 1966 and conducted by Kondrashin. The famous EMI LP with Kleiber appeared in the 1970s Richter claimed that neither he nor Kleiber were in the best form. In the case of the Britten concerto with the composer conducting, the recording here is from 3 years earlier than the famous Decca LP. Richter was unhappy with this as Britten was apparently ill and a shadow of himself. The Brahms 2 and the Schumann are from private tapes owned by conductor George Georgescu who is at the helm in both concertos. A good example of Richters self - criticism can be found in his comment on his later RCA Chicago Symphony/Leinsdorf recording one of my worst recordsI cant bear it. It won a Grammy! This set also includes some of the lesser known works Richter championed - Les Djinns by Franck and the Dvorak Piano Concerto which he played more than 25 times from the 1960s to the 80s. He did more than any pianist to restore this work to the repertoire
