图示: 2007年留声机大奖名单 [复制链接]

（续一）

6--巴洛克器乐



亨德尔 大协奏曲
古典学院/理查德·埃加尔（Richard Egarr）Harmonia Mundi

7--巴洛克声乐



亨德尔 弥赛亚（都柏林版，1742年）
Dunedin合唱与合奏团/约翰·巴特（John Butt）Linn Records

8--室内乐



哈斯与雅那切克 弦乐四重奏
Pavel Haas四重奏团 Supraphon

9--合唱



勃拉姆斯 德意志安魂曲
桃罗西·洛什曼；托马斯·夸斯托弗；柏林广播合唱团；柏林爱乐乐团/ 西蒙·拉特尔爵士 EMI

10--现代音乐



朱利安·安德森（Julian Anderson） 阿尔罕布拉幻想曲Alhambra Fantasy
BBC交响乐团/奥利维亚·克努森 Ondine

11--DVD



朱利安·布里姆Julian Bream：我的音乐一生 Avie

12--早期音乐



柏德 Laudibus in sanctis
Cardinall音乐合奏团 Hyperion
                                                 (待续)

(续二)

13---历史档案



瓦格纳 众神的黄昏
拜罗伊特节日歌剧院/约瑟夫·凯尔伯特 Testament

14---历史重发



莫兰Moeran 交响曲等
伦敦爱乐乐团，新爱乐乐团/艾德里安·波尔特爵士 Lyrita

15---器乐



巴赫
无伴奏大提琴组曲，斯蒂芬·伊瑟利斯 Hyperion

16---歌剧



罗西尼 沙布朗的玛蒂尔德
Riccardo Frizza指挥 Decca

17---管弦乐



普罗科菲耶夫 交响曲全集
伦敦交响乐团/瓦列里·杰吉耶夫 Philips

18---独奏



西蒙·金利塞德 歌剧故事
慕尼黑广播乐团/Ulf Schirmer Sony Classical

19---独唱



理查·施特劳斯 艺术歌曲
约纳斯·考夫曼；赫尔穆特·德意志 Harmonia Mundi

20---主编推荐



马勒 第二交响曲
布达佩斯节日管弦乐团/伊凡·费舍尔 Channel Classics
                                                                      (完)

好贴。。。。多谢楼主

普罗科菲夫的交响曲的确不同凡响，总是有一个那么的新奇的声响世界在前头，这套gergiev的全集经常听，

小厂越来越多的获奖, 几个大厂逐渐衰落.

原帖由 metalfan 于 2007-10-14 7:56:00 发表 （续一） 7--巴洛克声乐 [attachimg]35985[/attachimg] 亨德尔 弥赛亚（都柏林版，1742年） Dunedin合唱与合奏团/约翰·巴特（John Butt）Linn Records

这个《弥赛亚》的版本看来得找来听听。

原帖由 溪秀兰 于 2007-10-14 14:02:00 发表 [quote] 原帖由 metalfan 于 2007-10-14 7:56:00 发表 （续一） 7--巴洛克声乐 [attachimg]35985[/attachimg] 亨德尔 弥赛亚（都柏林版，1742年） Dunedin合唱与合奏团/约翰·巴特（Jo......

Messiah
~ HWV 56 ~

Linn Records CKD 285 2 SACDs full price Recorded in 2006. Released in 2006.

Susan Hamilton, soprano Annie Gil, contralto Clare Wilkinson, contralto Nicholas Mulroy, tenor Matthew Brook, bass Dunedin Consort and Players (on period instruments) Director: John Butt

Messiah was already very successful during Handel’s time and thus the many performances of this work result in many different sources and many different versions, with none of them being a ‘definite’ one. There is a plethora of recordings available which globally seem to prefer the 1750’s versions, probably mainly because of the arias remodeled for the alto castrato Gaetano Guadagni – later to become Gluck’s Orfeo. In this new recording, John Butt didn’t listen to the Sirens and has recorded, at last, a version which is very close to the original one first performed in Dublin in 1742. The conductor explains clearly his approach in the booklet. Thanks to the choice of version, this release is particularly interesting, and not just another good recording of Handel’s Messiah. The fact is that this recording doesn’t lack good qualities and is definitely the result of very good team work. Butt’s conducting is particularly stylish and accurate, and both the orchestra and the choir are excellent. Nevertheless, we can regret that there is no countertenor in the cast; in 1742 they had some of the alto solos together with Mrs Cibber. The whole result is slightly lacking in dramatic dimension, and the soloists are sometimes just honourable or average. The weakest are a tenor who tends to force, and a soprano with an excessively boyish and tense voice – although there is a nice ‘Rejoice greatly’, limitations are explosed in slow passages like ‘Behold, and see’ or ‘I know that my Redeemer liveth’.

© Philippe Gelinaud - July 2007

恐怕未必能尽如人意啊

是SACD的格式啊？！那就颇有些郁闷啦…… 有无普通CD的格式？

似乎只有ＳＡＣＤ版的。但现在一般都是双层的吧。