发烧论坛
fightclub - 2014/10/25 22:23:00
中文曲目:
CD1苏萨:进行曲集
巴什福德指挥近卫兵军乐团
CD2格什温:蓝色狂想,一个美国人在巴黎
布莱克指挥伦敦节日管弦乐团
CD3卡查图良:芭蕾《斯巴达克》、《假面舞会》、《加雅涅》组曲
布莱克指挥伦敦交响乐团
CD4舞曲大观
德沃夏克:两首斯拉夫舞曲
约翰施特劳斯:你和你圆舞曲
格里埃尔:俄罗斯水手舞
庞奇埃里:时辰之舞
圣桑:骷髅之舞
勃拉姆斯:匈牙利舞曲第五号
法雅:《三角帽》中的磨坊主之舞和终场舞
柴可夫斯基:睡美人圆舞曲
里姆斯基科萨科夫:滑稽演员之舞
韦伯:邀舞
斯美塔那:丑角舞曲
卡巴列夫斯基:丑角的加洛普舞曲
布莱克指挥伦敦交响乐团、皇家爱乐乐团
CD5拉威尔:波莱罗
鲍罗丁:波罗维茨舞曲
里姆斯基科萨科夫:西班牙随想曲
柴可夫斯基:意大利随想曲
布莱克指挥伦敦节日管弦乐团
CD6李斯特:第1、2钢琴协奏曲
拉赫曼尼诺夫:第2钢琴协奏曲
钢琴:伊万戴维斯
唐尼斯指挥皇家爱乐乐团
CD7德沃夏克:第九交响曲
柯达伊:哈利雅诺什组曲
多拉蒂指挥新爱乐乐团、荷兰广播爱乐乐团
CD8奥尔夫:布兰诗歌
多拉蒂指挥皇家爱乐乐团
CD9普罗科菲耶夫:彼得与狼(旁白:肖恩康纳利),基日中尉组曲
布里顿:青少年管声弦乐队指南
多拉蒂指挥皇家爱乐乐团
CD10罗西尼、雷斯庇基:魔法玩具店,罗西尼偶记
多拉蒂指挥皇家爱乐乐团
CD11女高音艾琳法瑞尔演唱《音乐之声》等当代通俗歌曲与民歌
CD12费德勒的返场曲
西贝柳斯:芬兰颂
格里格:皮尔金特第一组曲,索尔维格之歌
德沃夏克:C大调斯拉夫舞曲
斯美塔那:伏尔塔瓦河
沃恩威廉斯:英格兰民谣组曲
艾夫斯:美国变奏曲
费德勒指挥波士顿通俗乐团
CD13格什温的序曲集
费德勒指挥波士顿通俗乐团
CD14约翰施特劳施:圆舞曲集(蓝色多瑙河、春之祭、南国玫瑰等)
柴可夫斯基:胡桃夹子组曲
费德勒指挥波士顿通俗乐团
CD15-16柴可夫斯基:《天鹅湖》全剧
费拉图拉里指挥荷兰广播爱乐乐团
CD17柴可夫斯基、门德尔松的小提琴协奏曲
小提琴:里奇
福涅特指挥荷兰广播爱乐乐团
CD18赫尔曼为希区柯克电影所作的配乐
精神病患者、艳贼、西北偏北、迷魂记
赫尔曼指挥伦敦爱乐乐团
CD19赫尔曼电影配乐
地心游记、辛巴达七航妖岛、地球停转之日、华氏451度
赫尔曼指挥伦敦爱乐乐团
CD20比才:卡门选段
柴可夫斯基:第六交响曲“悲怆”
亨利路易斯指挥皇家爱乐乐团
CD21贝多芬:第六交响曲“田园”
理查施特劳斯:梯尔的恶作剧
亨利路易斯指挥皇家爱乐乐团
CD22理查施特劳斯:死与净化
柴可夫斯基:弗兰切斯卡达雷米尼
普罗科菲耶夫:第三钢琴协奏曲(钢琴:玛格丽特)
马泽尔指挥新爱乐乐团
CD23马勒:第一交响曲
瓦格纳:唐豪塞序曲和维纳斯堡音乐
莱恩斯多夫指挥皇家爱乐乐团
CD24美国通俗歌曲与民谣(美国的梦神、俄克拉荷马等)
布莱克指挥伦敦节日管弦乐团
CD25比才:卡门组曲,阿莱城姑娘组曲
明希指挥新爱乐乐团
CD26奥芬巴赫:愉快的巴黎人
雷斯庇基:罗马松树、罗马喷泉
明希指挥新爱乐乐团
CD27 PACO PENA与其乐队演奏佛兰明戈名曲集
CD28凯特尔贝:修道院花园、埃及秘境、铃声穿过草原、中国寺庙花园、心灵的圣堂、波斯市场等
罗杰斯指挥皇家爱乐乐团
萨康诺夫演奏胡拜、柴可夫斯基、蒙蒂等人的小提琴名曲
CD29 罗萨:电影《宾虚》配乐
罗萨指挥国家爱乐乐团与合唱团
CD30 贝多芬:第九交响曲,艾格蒙特序曲
斯托科夫斯基指挥伦敦交响乐团
CD31 柏辽兹:幻想交响曲
拉威尔:《达芙妮与克罗埃》第二组曲
斯托科夫斯基指挥伦敦交响乐团
CD32 穆索尔斯基:图画展览会、荒山之夜,歌剧《鲍里斯 古德诺夫》交响改编曲
柴可夫斯基:1812序曲
斯托科夫斯基指挥伦敦交响乐团
CD33 里姆斯基科萨科夫:天方夜谭、西班牙随想曲
鲍罗丁:波罗维茨舞曲
斯托科夫斯基指挥伦敦交响乐团、新爱乐乐团、皇家爱乐乐团
CD34 柴可夫斯基:第5交响曲
格拉祖诺夫:小提琴协奏曲(马科维奇演奏)
斯托科夫斯基指挥伦敦交响乐团、新爱乐乐团
CD35 柴可夫斯基:《天鹅湖》、《睡美人》选段,罗密欧与朱丽叶,斯拉夫进行曲
斯托科夫斯基指挥新爱乐乐团、瑞士罗曼德管弦乐团、伦敦交响乐团
CD36 维瓦尔第:四季
小提琴:HUGH BEAN
斯托科夫斯基指挥新爱乐乐团
CD37 瓦格纳:《指环》中的管弦乐曲,《纽伦堡名歌手》序曲
斯托科夫斯基指挥伦敦交响乐团
CD38 斯托科夫斯基的管弦乐改编曲
巴赫:D小调托卡塔与赋格,降E小调前奏与赋格等
克拉克:小号即兴前奏曲
舒伯特:音乐瞬间第三首
肖邦:玛祖卡第13首
拉赫曼尼诺夫:升C小调前奏曲
斯托科夫斯基指挥捷克爱乐乐团、伦敦交响乐团
CD39 《黄河》 钢琴协奏曲
莫扎特:第21钢琴协奏曲
钢琴:ILANA VERED
HOWARTH指挥国家爱乐乐团、皇家爱乐乐团
CD40 贝多芬:第21钢琴奏鸣曲“黎明”
舒伯特:流浪者幻想曲
斯特拉文斯基:三乐章《彼得鲁什卡》
钢琴:ILANA VERED
CD41 立体声之战
英国近卫军进行曲、马赛曲、斯拉夫进行曲、德意志之歌(德国国歌)
霍斯特 威塞尔之歌(二战德军军歌)
isaiah_ql - 2014/10/26 11:41:00
刚到手张 斯托科夫斯基的管弦乐改编曲 托卡塔这首的动态远超emi和rca的录音
myshirley - 2014/10/26 11:48:00
看你是听音响还是听音乐了。
fightclub - 2014/10/26 12:09:00
原帖由 myshirley 于 2014-10-26 11:48:00 发表 看你是听音响还是听音乐了。 |
首先希望好听呀,当然模拟时代黄金录音还是很有吸引力的。
xiaocao - 2014/10/26 13:30:00
当然值得 看看淘宝销量 这套是近期之冠
myshirley - 2014/10/26 20:48:00
原帖由 fightclub 于 2014-10-26 12:09:00 发表
原帖由 myshirley 于 2014-10-26 11:48:00 发表 看你是听音响还是听音乐了。 |
首先希望好听呀,当然模拟时代黄金录音还是很有吸引力的。 |
英语好的话,最近musicweb上推出了系列评论可以去参考一下。四相位本来就不是一个主流的系列,所以decca没拿出看家的艺术家来,因此经典曲目方面评价一般。以我的观点来看,这套的音乐水准远不如decca sound的那两个包子。另外,其中精华的几张,之前decca也单独出过,或者在澳洲雄辩中出过。
audiomyd - 2014/10/26 21:01:00
CD28凯特尔贝:修道院花园、埃及秘境、铃声穿过草原、中国寺庙花园、心灵的圣堂、波斯市场等
罗杰斯指挥皇家爱乐乐团
萨康诺夫演奏胡拜、柴可夫斯基、蒙蒂等人的小提琴名曲
——
最近买了这个单张,好听啊。
fightclub - 2014/10/27 0:34:00
原帖由 myshirley 于 2014-10-26 20:48:00 发表
原帖由 fightclub 于 2014-10-26 12:09:00 发表
原帖由 myshirley 于 2014-10-26 11:48:00 发表 看你是听音响还是听音乐了。 |
首先希望好听呀,当然模拟时代黄金录音还是很有吸引力的。 |
英语好的话,最近musicweb上推出了系列评论 |
非常感谢详尽回复。可惜已经下单了,暂时先不退了。以后一定先看你推荐的musicweb评论再下单。
我相信一定是迪卡之声更权威,尤其是音乐性,可是我看了第一集和第二集的曲目,貌似很多已经买过了,毕竟这么多年也买了很多小双张和单张名盘,所以估计很难下手迪卡之声。
这个四相位演奏和曲目有些相对少见,而且对于四相位有些模拟崇拜,就当试试吧,如果其中是10张喜欢且很难买到的,就算是值回票价了;如果有15张甚至20张喜欢,就是很赚了。
贴个亚马逊的顾客评论:
Decca introduced Phase 4 Stereo in 1961. For classical music, the Phase 4 approach was based on miking every orchestra section individually, along with mikes for selected instruments – up to a maximum of 20 channels, which were then mixed via a recording console. This resulted in a dynamic, in your face sound with relatively little hall ambience. The quality of the sound mostly depended on how skillfully the recording engineer balanced each channel – and the results were not always consistent. Thus, the Phase 4 sound was the antithesis of the minimally miked, “simplicity is wisdom” approach of the RCA’s early Living Stereo and Mercury’s Living Presence recordings, along with Telarc’s early digital recordings.
Phase 4 recordings tended toward orchestral spectaculars and light classics, although there were exceptions. As for this 41CD set, the performances are highly variable. I frankly doubt if some of them would have been released if the Phase 4 technology was not a consideration. For example, Rhapsody in Blue and American in Paris, as performed by Stanley Black and the London Festival Orchestra, are easily the worst performances of these staples I’ve ever heard. Likewise Israela Margalit’s bumbling, stumbling (and audibly edited) rendition of Prokofiev’s Third Piano Concerto would never have been released had not her husband, Lorin Maazel, been the conductor on the recording. On the other hand, Ivan Davis’ renditions of Liszt’s Piano Concertos are superb, with an almost Horowitzian frisson. Antal Dorati was always reliable and the performances here, from Dvořák’s New World Symphony to Orff’s Carmina Burana, are well worth repeated hearing. Dorati also helms Prokofiev’s Peter and the Wolf and Britten’s Young Person’s Guide to the Orchestra, featuring sly narrations by Sean Connery. Arthur Fiedler’s Strauss Waltzes and excerpts from Tchaikovsky’s Nutcracker are surprisingly idiomatic. Charles Munch offers rollicking performances of the suites from Bizet’s Carmen and L’Arlésienne, and Offenbach’s Gaîté-Parisienne, alongside relatively sober renditions of Respighi’s Pines and Fountains of Rome
Of all the conductors in this set, Leopold Stokowski seems to have made the most effective use of the Phase 4 technology. He’d become expert at seating the orchestra for recordings during the 78rpm era, and his early recordings were some of the best sounding of their era. His interest in recording technology continued to pay dividends during the stereo years. The performances captured here include a riveting but sectionalized rendition of Berlioz’ Symphonie Fantastique, a Scheherazade which is a bit more precise yet not as lascivious as his RCA version, and his own gorgeously gaudy orchestration of Mussorgsky’s Pictures at an Exhibition.
Ilana Vered is featured in a lovely rendition of Mozart’s Piano Concerto, K. 467, along with the Yellow River Concerto, which was apparently composed by a committee of Chinese composers. It sounds like the background music in a cheap Chinese buffet restaurant. There’s also a solo disc of Beethoven’s Waldstein Sonata, Schubert’s Wanderer Fantasy, and Stravinsky’s Three Scenes from Petrouchka. I don’t know why one would apply a Phase 4 approach to a piano solo recording, but the sound is quite fine. Her Beethoven and Schubert playing remind me of Kempff, while her Stravinsky sounds is a mite laboured – no match for the fiery Rubinstein or the icy hot Pollini.
There are also several discs of music which is decidedly off the beaten track for a classical label. Flamenco guitar virtuoso Paco Peña is featured in a live concert, which is quite simply the greatest and most staggering Cante Jondo recording I’ve ever heard.
Especially appreciated are three discs of film music. Bernard Herrmann’s own performances of music from his collaborations with Alfred Hitchcock – North by NorthWest, Marnie, Psycho, and Vertigo – are included here, as well as music from Journey to the Centre of the Earth, The Seventh Voyage of Sinbad, The Day the Earth Stood Still (which, sadly, does not include the Theremin used in the film), and Fahrenheit 451. Herrmann conducts the music in a very different manner that when it was tailored to accompany the films, with relatively expansive tempos, and it’s wonderful to have these works conducted by the composer in stereo.
Miklós Rósza’s rousing score for Ben-Hur is featured here – and it’s one of the best sounding discs in the collection. I only wish his recording of Quo Vadis had also been included.
The final disc is devoted to “Battle Stereo” - essentially sounds of gunfire and explosions accompanied by famous anthems and overlaid with orations. Worth listening to once, but I had to use headphones after the cacophony scared the heck out of my dog.
The series is presented in the Original Jacket format. In most cases, additional material has been included, but some discs are the original LP programs with playing times as short at 35 minutes. Most of the jackets have the original liner notes on the back which can be read with a magnifying glass.
http://www.amazon.co.uk/product-reviews/B00LP298NC/ref=cm_cr_dp_hist_four?ie=UTF8&filterBy=addFourStar&showViewpoints=0
myshirley - 2014/10/27 8:38:00
买了就买了,尤其是与手上已有碟无重复或重复很少的情况下,毕竟平均也就RMB15左右一张而已,DECCA的录音肯定是不错的——而之前发行过的DECCA单张或澳洲雄辩,都是中价位的。
我之所以有微言,主要还是因为包子多了,眼界也高了,宁缺毋滥,想给家里有限的空间节约点地方。
bbc4 - 2014/10/27 9:09:00
同意myshirley,在曲目和演绎都不是很有说服力的情况下(决定了是否禁得住反复聆听),问题的关键就是这些四相位的录音到底有多好。如果有一打录音的水平接近韦勒-普罗科菲耶夫的水平,那就非常值得了。
Rossi - 2014/10/27 10:10:00
演绎当然不能说非常经典,值不值自己考虑。买了太多也听不过来。
ludwig2000 - 2014/10/27 11:37:00
原帖由 bbc4 于 2014-10-27 9:09:00 发表 同意myshirley,在曲目和演绎都不是很有说服力的情况下(决定了是否禁得住反复聆听),问题的关键就是这些四相位的录音到底有多好。如果有一打录音的水平接近韦勒-普罗科菲耶夫的水平,那就非常值得了。
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你是指韦勒在DECCA录的普罗科菲耶夫吗?最近收了Billiant再版的韦勒指挥普罗科菲耶夫交响曲4CD还没听,不知道音效是不是很好?
bbc4 - 2014/10/27 12:09:00
就是这个Decca录音,一半是威尔金斯,一半是他徒弟,Kingsway Hall。
交响曲录音,动态好的不一定有细节(比如Telarc的很多录音),细节好的不一定有空间感(比如CBS的很多近场模拟录音,还有大名鼎鼎的水星),都满足的音色又不一定甜美。这个录音,基本上什么都有了。就是音乐本身不算好听,嘿嘿。
myshirley - 2014/10/27 12:20:00
原帖由 ludwig2000 于 2014-10-27 11:37:00 发表
原帖由 bbc4 于 2014-10-27 9:09:00 发表 同意myshirley,在曲目和演绎都不是很有说服力的情况下(决定了是否禁得住反复聆听),问题的关键就是这些四相位的录音到底有多好。如果有一打录音的水平接近韦勒-普罗科菲耶夫的水平,那就非常值得了。
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你是指韦勒在DECCA录的普罗科菲耶夫吗?最近收了Billiant再版的韦勒 |
DECCA自己也重出了,不过一样是环保装。

qilanpu1 - 2014/10/27 12:53:00
盼了28年盼白了发,这次迪卡公司终于再次将四相位超级录音发行CD。演绎录音俱佳,太值得入门拥有了。再加上英国达顿十年间发行的轻音乐四相位2LP合1CD唱片,有一百多张了。强烈建议迪卡公司继续发行第二集第三集。。。。。。最好来个大全集。
qilanpu1 - 2014/10/27 13:05:00
转打一篇1996年《高保真音响》杂志关于四相位的文章(作者陈小斌):
浅淡DECCA的四相位录音
近几年,音响技术的不断发展促进了现代录音水平的日益提高,这使得当代许多著名音乐家、乐团的精彩演出得以完美地记录和重放,给众多的音乐、音响爱好者,提供了极大的精神享受。
数码录音技术也随着人们对音质更高的追求获得了长足的进步,其中经历了从16比特量化到20比特量化(甚至更高),从3D录音到4D录音的技术变化,加上最新推出的DVD多用途数字光盘系统,在数码音频规格上,又提出了大于20比特的量化及高于48K的取样频率,这将使数码音频的技术指标又产生一个新的飞跃,离记录重放真实的原声更进了一步。所有这些都使广大的听众能在自己的家中欣赏世界各地的艺术大师的精彩演出成为了现实。当然,也会有不少朋友对许多已经故去的音乐大师深感惋惜,为他们没有能赶上当今录音技术高度发达的年代而遗憾。但是,让广大发烧友感到欣慰的是:在大师们活跃的年代,仍有不少的唱片公司,用50年代中期开始发展起来的立体声录音手段,制作了大批宝贵的录音,使许多大师当年的风采得以永留人间。
虽然受到当时LP唱片制片水准和音乐爱好者们所使用的器材水平的限制,有不少录音在那时并未引起人们的注意。但时隔多年之后,采用现代数码科技的最新成果对这些老录音重整加工出版的CD唱片,有许多却着实令广大的音乐、音响爱好者为之瞠目:其出色的演绎,精彩的录音,令许多现代录音的唱片也为之汗颜!
60年代,著名录音公司Mercury率先推出了“LivingPresenceLiving”系列唱片,令发烧界为之瞩目;随后RCA也不甘寂寞,以他们50、60年代一大批优秀录音为后盾,打出了“Living Stereo”这张王牌,使众多乐迷往往为之解囊;拥有一大批优秀录音的DG、EMI等公司以“大师原版”及“全位元立体声”为旗号,把他们母带库中的许多宝贝发掘出来并使之重见天日,获得了广泛的好评。
说到这里人们一定要问:一向以录音技术称雄天下的Decca公司难道会甘愿落伍吗?为满足广大乐迷的热切期望,Decca公司曾在去年出版了“古典之声”
即“The Classic Sound”系列唱片。其中的“火车头”、“西班牙”等唱片的HiFi音响效果使人们重新领略了60年代“迪卡之声”的风采。而今年初,Decca公司则再度出击,将其62年开发、曾轰动一时的4相位录音重整出版了CD唱片。第一批共15个品种,其中包括由斯托科夫斯指挥的“瓦格纳管弦乐曲集”、两张俄罗斯作品集,以及多拉蒂指挥的“勃依伦诗歌”、“基什中尉组曲”等多款优秀录音。朋友们一定都很关心什么叫4相位录音,它有什么技术特点?下面我就作个简单的介绍。
4相位发录音从字面上说是源于英文“Phase 4 Stereo”,即4相位立体声。但其实质上应该说和“相位”没有什么关系。有些朋友把它同四声道立体声联系起来,这也是一种误解。
早在50年代中期,双声道立体声录音技术开始进入实用阶段,给当时的录音工业带来了革命性的推动。双声道立体声系统所营造的宽阔音场,使听惯了单声道录音的人们感到耳目一新。然而,像Decca公司这样对新技术的开发抱有更大雄心的唱片公司则不满足于已有的成绩,它们致力于研究更新的立体声录音方式,以求在同行中能居于领先的地位,于是在1962年Decca公司宣布了它的4相位立体声录音技术。Decca公司自己解释说:该方式应称为第四聘阶段(或说第四代)立体声;之所以没有推出第二和第三,是说明了Decca公司要用这个“第四”来展现其欲领先世界录音界的雄心。
Decca公司把它形容为是“高保真重播艺术中一项极为新颖的戏剧化概念。”具体地说:它在录音时,允许乐队在摆位上有很大的自由度;而在话筒的设置上,则由以前传统的双话筒(或三话筒)立体声拾音改为复支话筒拾音。与此同时,Decca的音响工程师研究、开发了具有声像分配器(Panpot)并拥有多达20路输入的调音台。这样在录音过程中,通过不同的话筒的拾取的不同声部乐器的声音信号,就可以由录音师用声像分配器去自由地设置其各自的声像位置。加上辅助的人工混响系统,录音师可以把每支话筒所拾取的乐器(或乐器组)及人声的声像位置作前、后、左、右的移动;这种设置可以是传统的,也完全可以是随心所欲的。
例如在用传统的双话筒(或三话筒)的制式拾音时,一个管弦乐队的声像分布是确定的,即舞台上的乐队如何摆位,拾取并重放的声像位置只能是与其相对应的。而4相位的多话筒拾音方式,作为录音师则完全可以将原本处在乐队右后侧的小号的声像移到乐队的左后方,反之位于左边的乐器声像也可以移到右边,而前后排乐器的声像位置也可以相互颠倒,整个乐队的层次及音场的宽度和深度均可由录音师人为去调整;这给录音师的艺术再创造提供了很大的自由空间。
从双声道立体声的基本原理可知:4相位立体声录音的拾音及声像分配的机理属于强度差立体声的范畴,这种拾音方法在90年代勿今天早已得到普遍的应用。但在60年代初期,它还是一项新的技术。由于辅助话筒的应用,它可以使一些原本处在后排或离主话筒较远处的乐器的音色更为清晰、鲜明。并可通过人的调整,使音场比实际的更宽更深。但这种方式的录音往往要加入人工混响,所以空间感不如双话筒(或三话筒)拾音来的自然。可如果乐队本身各声部不够平衡的话,用这种方法可以调整出一个很平衡的音响效果,这又是双话筒(或三话筒)的拾音方法所无法做到的。由于4相位录音能够随心所欲地摆布录音时的声像分布及音场形态,可制造出某些特殊的音响及平衡效果,因此,在其发明之初,立即引起了当时对录音音响极感兴趣的指挥大师斯托科夫基的极大兴趣,他多次积极参与4相位录音工作,并亲自指出录音中要强调和突出的声部,指导录音师按照他所构想的音响效果会去完成作品的录音,他指挥录制的瓦格纳管弦乐曲集,俄罗斯管弦乐曲集等录音都给听众留下了深刻的印象。
笔者试听了Decca第一批发行的4相位CD唱片中几张有代表性的录音,其中斯托科夫斯指挥伦敦交响乐团演奏的瓦格纳的“女武神之骑”,体现了较典型的4相位录音的特点、弦乐清晰、质感突出、铜管明亮辉煌,定音鼓和大钗的纵深感好,乐队各声部层次清楚。和双话筒拾音比较,音场更为深阔,尤其是后排乐器的清晰度有明显改善,整体的音色更为鲜艳、夺目。但同时也可感觉到,小号、长号的声像向右后侧,有些拥挤,而圆号则过于偏左,使中间显得有些发“空”经过分析,我认为这是4相位录音的技术条件所限造成的。由于当时只有四轨的录音机,因此尽管调音台的输入可达20路,但仍只能缩编成四轨来记录。这时,如果用两个声轨去记录左、右主声道(或两个弦乐声部),则对于后排的打击乐和铜管,即便设置了较多的话筒,也只能分配到两个声道去记录。这样的四轨信号缩混成双声道时,如果声像分配过于偏向中间,则音场变窄;而为使音场展宽,只能把声像分配器(Panpot)展开,这时中间就出现了空调,而有些乐器的声像则偏向西边。如果这些不同的乐器都能用一条独立的声轨来记录,这个问题是不难解决的;可当时公仅有的四轨录音机确实制约了4相位录音在声像分配水平上的进一步提高。而在现代普遍应用的24轨、48轨录音机上,这些问题的解决是很容易的。
尽管如此,4相位录音在立体声录音技术的发展过程中确实起到承上启下的作用,为现代立体声录音奠定了基础,同时也为乐迷们留下了不少音乐大师的经典作品,这也正是使我们广大音乐、音响爱好者备感欣慰的事情。
转打另一篇1998年9月号《现代音响技术》杂志关于四相位的文章
原文《DECCA-声音奇迹的创造者》中的一小节(作者庄宏道)
魔幻“四相位”
日积月累使得DECCA唱片的文化底蕴日趋浓郁,正如一瓶典藏几十年的上等威士忌一样,只要打开瓶盖,立即散发出醉人的洒香,令人屏息静气,心向往之。同样翻开DECCA的历史相册,经典录音Phase 4 Stereo系列唱片就是其中特别耀眼的一族。
全频段立体声录音技术发明之后,DECCA立即扩充其录音范围,从流行乐、爵士乐、轻音乐、跨界音乐(介于流行与古典之间)到歌剧、古典音乐都是收录的对象。鉴于DECCA长期的观点-什么样的音乐就要有什么样的声音与之匹配,针对古典乐团演奏的一些小品,轻量级作品,流行歌曲,爵士乐,电影音乐等方面内容的唱片录音,他们认为应该主要突出娱乐性、音效性、可听性。因此Phase 4 Stereo技术的应用正是为上述音乐内容服务的。
Phase 4 Stereo录音技术是DECCA独家开发的一帖“音响灵药”。它主要体现在刻意凸现的左右二侧极端音场定位距离与前、后方纵深感。是经过“美丽染色”后的产物。在录制时,DECCA将先前早已制作编辑好的录音母带经过特别定制的10路混音器以求得良好的分离度与声音厚度,这样一来,强劲的低频效果就显现出来了,乐器的结像似“胖”了不少。后期又换用20路混音器以求达到声音表现的极致。四相位录音的LP刚推向市场时,立即得到了音响迷的欢迎。为了适合不同层次的聆听需要,DECCA从1962年开始以四相位技术录音先期制作了情调音乐与Cross Over(跨界)音乐,从1964年起又专用于古典录音,至70年代初才告一段落。你可曾知道四相位LP在最初并不是以DECCA商标面市发行的。这里又要引出一段London牌子的小故事来。1947年DECCA决定将出口至美国、日本、南美(巴西、秘鲁、阿根廷)等国的LP冠以“London”
品牌标记,除了一方面是为了方便识别新唱片系列,另一原因是由于DECCA在美国纽约分公司拥有一个独立品牌冠名权,几番权衡,终以“London”为最终商标,仍沿用至今。作为DECCA的副牌,LONDON除了每年独立制作大量唱片之外,还专注于许多绝版唱片的翻录工作,只可惜国内尚无系列化的引进。尤其值得一提的是四相位录音LP在转制CD时获得极大的成功,丝毫没有“数码味”。当然,这种四相位声音的特点恐怕会被一般发烧友所诟病。因为一切都是“夸张”的。只要我们静下心想一想,市场上面的音响器材究竟是以Hi-End为主还是以绝大部分Mi-End,Low-End为多数,每一位音响爱好者所拥有的器材究竟又有多少属HI-END之列呢?其实,特别是在低价位段的音响系统上,四相位CD的声音表现是极其优异的,四相位本身的声音厚度与播放系统的损耗失真相抵消,原有的效果被恰如其分地表达出来。回过头来再想一想,你可曾在自己的系统上轻易播放出这样令人心醉神迷的低频效果吗?况且在思考这两个问题的时候,我们更应牢牢记住一个事实,那是60年代录音水准的产物。由于科技水准的限制,“四相位录音”肯定是有着历史局限的。写到这里不禁思绪万千,如果一张CD需要发烧友费尽千辛万苦才能发出“好声”,那么,要听音乐还真成了难事了。
qilanpu1 - 2014/10/27 13:17:00
转自中国最大最全的轻音乐网《梦林音乐网》
===London Phase 4 Stereo的目录比较多,细分下来有以下9个系列===
1. 轻音乐系列,全称为PHASE 4 EASY LISTENING SERIES,编号开头一般为SP。
2. 音乐会系列,全称为PHASE 4 STEREO CONCERT SERIES,编号开头一般为SPC。
3. 900系列,全称为PHASE 4 “900” SERIES,编号开头有XPS、APS、PS、和2 BP,总共18张。
4. 音乐会系列的双录音版,全称为CONCERT SERIES – TWO RECORD SETS,编号开头是SPCA,只有一张。
5. 礼包,全称为PHASE 4 STEREO - BONUS PAKS,编号开头是2BSP,共有2张。
6. 特别套装,全称为PHASE 4 STEREO – SPECIAL SETS,编号开头是SPB、ASPB、CAMS、和2SPC,共有4张。
7. 国际系列,全称为INTERNATIONAL SERIES,编号开头是SPW,共有6张
8. 特别珍藏版,全称为SPECIAL COLLECTION,编号开头是6SP,只有一张。
9. 试音与特别节目录音,全称为PHASE 4 DEMONSTRATION/SPECIAL ISSUE RECORDS,编号开头有SPD、SP0、SPX、R、2P,以及无字母,共有20张。
===Decca Phase 4 Stereo 主要有5种编号===
分别以PFS、DDS、DKL、BPS、和SPA开头。
PHASE 4 EASY LISTENING SERIES
四相位轻音乐系列目录
im20cr - individually monitored 20 channel recording
NOTE: All numbers start with SP, unless otherwise indicated
44001 -Pass in Review, Bob Sharples
44002 – Big Band Percussion, Ted Heath
44003 – Bongos from the South, Edmundo Ros
44004 – Exotic Percussion, Stanley Black
44005 – Percussive Moods, Johnny Keating
44006 – The Percussive Twenties, Eric Rogers
44007 – Melody and Percussion For Two Pianos, Ronnie Aldrich
44008 – Percussion in The Sky, Werner Mueller
44009 – Percussive Oompah, Rudi Bohn
44010 - Percussion Around the World, International All Stars
44011 – Twelve Star Percussion, International All Stars
44012 – Percussive Latin Trio, Los Machucambos
44013 - Avec Moi A Paris, Maurice Larcange/Accordians, im20cr
44014 – Italy, Roger Laredo, im20cr
44015 - Dance Again, Edmundo Ros, im20cr
44016 – Spain, Stanley Black, im20cr
44017 – Big Band Bash, Ted Heath, im20cr
44018 – Ronnie Aldrich and His Two Pianos, im20cr
44019 – Temptation, Johnny Keating, im20cr
44020 – Hit Themes from Foreign Films, International All Stars, im20cr
44021 – Hawaiian Swing, Werner Mueller, im20cr
44023 – Satin, Swings and Bouncing Brass, Ted Heath, im20cr
44024 – Victory in Review, Eric Rogers
44025 – Film Spectacular, Stanley Black
44026 – On the Move, Werner Mueller, im20cr
44027 – The Glory of Christmas, Eric Rogers
44028 – Glory, Glory Halleluijah, Eric Rogers, im20cr
44029 – The Magnificent Pianos of Ronnie Aldrich, im20cr
44030 – Mexico, Roland Shaw, im20cr
44031 – Film Spectacular – Vol II, Stanley Black
44033 – America on the March, Bob Sharples, im20cr
44034 – Swing Revisited, Johnny Keating, im20cr
44035 – America Sings, Eric Rogers, im20cr
44036 – Big Band Spirituals, Ted Heath, im20cr
44037 – Battle Stereo, Bob Sharples
44038 – Heath vs. Ros, Ted Heath & Edmundo Ros, im20cr
44039 – Great Strauss Waltzes, Werner Mueller, im20cr
44040 – The Sound of Sight, Ray Martin
44042 – The Romantic Pianos of Ronnie Aldrich, im20cr
44043 – Kismet, Mantovani w/ Robert Merrill et al
44044 – Trooping the Colour, Grenadier Guards
44045 – Westward Ho!, Roland Shaw, im20cr
44046 – The New Palladium Performances, Ted Heath, im20cr
44047 – Werner Mueller on Broadway, Werner Mueller, im20cr
44050 – The Beloved Melodies of Stephen Foster, im20cr
44051 – Christmas with Ronnie Aldrich, im20cr
44053 – The New Ebb Tide, Frank Chacksfield, im20cr
44054 – The New Rhythms of the South, Edmundo Ros, im20cr
44055 – Mucho Machucambos, Los Muchucambos, im20cr
44056 – Big Band Beatle Songs, Bob Leaper, im20cr
44057 – Werner Mueller Plays Leroy Anderson, im20cr
44058 – The Keating Sound, Johnny Keating
44059 – Globetrotting, Frank Chacksfield, im20cr
44060 – Music of a People, Stanley Black
44062 – The Magic Mood of Ronnie Aldrich, im20cr
44063 – The Sound of Music, Ted Heath, im20cr
44065 – Americana, Stanley Black/Robert Merrill
44066 – The New Limelight, Frank Chacksfield, im20cr
44067 – Germany, Werner Mueller, im20cr
44068 – The King of Sound, Eric Rogers, im20cr
44069 – The New Beer Barrel Polka, Will Glahe, im20cr
44070 – That Aldrich Feeling, Ronnie Aldrich, im20cr
44071 – Broadway Spectacular, Stanley Black
44072 – Keating Straight Ahead, Johnny Keating, im20cr
44073 – Latin Boss-Senior Ros, Edmundo Ros
44074 – Chartbusters, Ted Heath
44075 – Russia, Stanley Black
44076 – Themes for Secret Agents, Roland Shaw
44077 – The Great TV Themes, Frank Chacksfield
44078 – Film Spectacular-Vol 3, Stanley Black
44079 – POW!, Ted Heath
44080 – Arriba, Edmundo Ros
44081 – All-Time Piano Hits, Ronnie Aldrich
44082 – Bullfight, Roger Laredo
44083 – Vaudeville, Eric Rogers
44084 – Caramba, Los Machucambos
44086 – Gypsy, Werner Mueller
44087 – Hawaii, Frank Chacksfield
44088 – Broadway Blockbusters, Stanley Black
44089 – Heath vs. Ros – Round 2, Ted Heath & Edmundo Ros
44090 – France, Stanley Black
44092 – Two Pianos in Hollywood, Ronnie Aldrich
44094 – Latin Hits I Missed, Edmundo Ros
44095 – Circus Spectacular, Merle Evans
44098 – Tango!, Werner Mueller
44100 – Two Pianos Today, Ronnie Aldrich
44101 – Les Paul Now, Les Paul
44102 – Music for Dr. Doolittle, Frank Chacksfield
44103 – Sousa Marched, Grenadier Guards
44104 – Swing is King, Ted Heath
44105 – Dimensions in Sound, Stanley Black
44107 – Strings Latino, Edmundo Ros
44108 – For Young Lovers, Ronnie Aldrich
44109 – The Golden Trumpet of Harry James, Harry James
44110 – The French Touch, Maurice Larcange/Accordians
44111 – Feelin', The Raymonde Singers Etcetera
44112 – Foreign Film Festival, Frank Chacksfield
44113 – Swing is King – Vol 2, Ted Heath
44114 – The Spectacular Trumpet of Kenny Baker, Kenny Baker/Roland Shaw
44115 – Dig It, Shake Keane/Ivor Ramonde
44116 – This Way "In", Ronnie Aldrich
44117 – Mucho Gusto, Los Machucambos
44118 – Vienna, Werner Mueller
44119 – Organ-ized, Chris Waxman/Organ
44120 – Israel "20", Stanley Black/Molly Picon et al
44121 – Music for "Fiddler on the Roof, Stanley Black/Robert Merrill/Molly Picon
44122 – Strictly Oompah, Will Glahe
44123 – Eleazar's Circus, Stonepillow
44124 – The World of Country Music, Paul Livert/The Saturday Night Singers
44125 – Silk "N" Latin, Caterina Valente/Edmundo Ros
44126 – Music for the Great Movie Thrillers, Bernard Herrman
44127 – It's Happening Now, Ronnie Aldrich
44131 – March in Review, Grenadier Guards
44132 – Italian Festival, Werner Mueller
44133 – Paris for Lovers, Maurice Larcange/Accordians
44134 – "Hair" Goes Latin, Edmundo Ros
44135 – Destination Love, Ronnie Aldrich
44136 – Love is All, Les Reed
44138 – Vibrations Around the World, International All Stars
44139 – The Latin Splendor of Werner Mueller, Werner Mueller
44140 – The Big Ones, Ted Heath
44141 – New York, Frank Chacksfield
44142 – Plays The Beatles Song Book, Frank Chacksfield
44143 – Here Come the Hits, Ronnie Aldrich
44144 – Music for the Great Film Classics, Bernard Herrman
44145 – Oktoberfest, Will Glahe
44146 – Ireland, John Keating
44147 – The Fantastic Sound of Guitars Unlimited
44148 – Beatles, Bach & Bacharach, Ted Heath
44149 – Spain – Vol 2, Stanley Black
44150 – Children of France, La Chorale des Enfants de L'Opera de Paris
44151 – Chacksfield Plays Simon & Gargunkel, Frank Chacksfield
44152 – Winds of Chance, The Olive Branch
44153 – Heading South…of the Border, Edmundo Ros
[44154 – The Astromusical Odyssey, Sounds Galactic
qilanpu1 - 2014/10/27 13:18:00
44155 – Moog!, Claude Denjean/Moog Synthesizer
44156 – Close to You, Ronnier Aldrich
44158 – Chacksfield Plays Bacharach, Frank Chacksfield
44164 – Those Were the Days, Ted Heath
44165 – Musica Latina and Love, Los Machucambos
44166 – Songs of Joy – Werner Mueller
44169 – Edmundo Ros – The Latin King, Edmundo Ros
44170 – A Tribute to "Satchmo", Eric Rogers
44171 – The Velvet Guitar of Brian Daly, Brian Daly
44172 – Flamenco Puro "Live", Paco Pena
44173 – Film Spectacular – Vol 4, Stanley Black
44176 – Invitation to Love, Ronnie Aldrich
44177 – Big Band Themes Remembered, Ted Heath
44178 – Big Band Themes Remembered – Vol 2, Ted Heath
BP44179/80 – Stan Kenton Today, Stan Kenton
44181 – Love, Caternia Valente/Werner Mueller
BP 44182/83 – On Stage with Benny Goodman and His Septet
44184 – Tribute to Charlie Chaplin, Stanley Black
44185 – The Music of Cole Porter, Frank Chacksfield
44186 – A Salute to Glen Miller, Ted Heath
44187 – The Sumptuous String of the Werner Mueller Orchestra
44188 – Christmas with the Children of France
44189 – This is My World, Edmundo Ros
44190 – Come to Where the Love Is, Ronnie Aldrich
44193 – Learn to Love, Werner Mueller
44194 – Glory Was Gershwin, Frank Chacksfield
44195 – Soft and Wicked, Ronnie Aldrich
44196 – Open Circuit, Claude Denjean/Synthesizer,
44197 – Presenting Botticelli and His Orchestra, Botticelli
44199 – Nova….Sounds of the Stars, Sounds Galactic
44202 – Larcange Play Legrand, Maurice Larcange/Accordians
44203 – Top of the World, Ronnie Aldrich
44204 – A Mystic Portrait of the Moody Blues, Werner Mueller
44206 – Spirit of a People, Stanley Black
44207 – The Fantastic Film World of Bernard Herrman, Bernard Hermann
44208 – Caribbean Ros, Edmundo Ros
44209 – The Way We Were, Ronnie Aldrich
44213 – The Incomparable Jerome Kern, Frank Chacksfield
44214 – Botticelli Unlimited, Botticelli
44217 – Werner Mueller Play Elvis Presley Hits, Werner Mueller
44218 – The Magic of Christmas, John Wilbraham/Leslie Pearson
44219 – Saga, Andre Gagnon
44220 – Ted Heath Salutes the Duke, Ted Heath
44221 – In the Gentle Hours, Ronnie Aldrich
44222 – Reminisce with Ros, Edmundo Ros
44223 – Chacksfield Play Rodgers & Hart, Frank Chacksfield
44224 – Will Glahe – The Polka King –Vol 1, Will Glahe
44225 – Film Spectacular – Vol 5, Stanley Black
44226 – Will Glahe - The Polka King – Vol 2, Will Glahe
44228 – A Salute to Dorsey, Ted Heath
44229 – Sunshine and Ole', Edmundo Ros
44230 – Sometimes Words Just Get in the Way, Orion
44235 – Those Wonderful Wacky 40's, Roland Shaw
44242 – The American Spirit(1776-1976), Special Edition
44244 – Larcange Plays Aznavour, Maurice Larcange/Accordians
44248 – Film Spectacular – Vol 6, Stanley Black
44249 – Chacksfield Plays Lerner & Lowe, Frank Chacksfield
44251 – Candler By Candlelight, Norman Candler
44252 – Nieges, Andre Gagnon
44253 – Love, Ronnie Aldrich
44254 – Chacksfield Plays Irving Berlin, Frank Chacksfield
44255 – Larcange Plays Becaud, Maurice Larcange/Accordians
44256 – Discover Me, Roland Shaw
44257 – Barvarian Merry-Go-Round, Will Glahe
44258 – Brass Spectacular, Grimethorpe Colliery Band
BP44259/60– Around the World and Beyond, Various Artists
44261 – Salute to Spirit of '76, Kingsway Band & Chorus
44263 – Black Magic, Stanley Black
44264 – Reflections, Ronnie Aldrich
44265 – Scotland, Johnny Keating
44267 – Sentimental Journey, Werner Mueller
44273 – The Sound Of Today, Botticelli
44275 – Chacksfield Play Hoagy Charmichael, Frank Chacksfield
qilanpu1 - 2014/10/27 13:21:00
PHASE 4 "900" SERIES
四相位"900"系列目录
XPS 900 -Gypsy Soul, Mantovani
XPS 901 – Merman Sings Merman, Ethel Merman/London Festival Orch
XPS 902 – An Evening with Mantovani, Mantovani/Orchestra
XPS 903 – The Odd Couple Sings, Tony Randall/Jack Klugman
XPS 904 – Every Night is New Year's Eve, Guy Lombardo/Royal Canadians
XPS 905 – Ethel Merman Sings "Annie Get Your Gun", w/London Fest Orch w/Stanley Black
XPS 906 – The Incomparable Mantovani Play the All-Time Greatest Hits, Vol 1
APS 907 -Musical Moments with Mantovani, Mantovani/Orchestra
PS 909 – Ethel's Ridin' High, Ethel Merman/Stanley Black/London Festival Orch & Chorus
2 BP 910/911 – Mantovani Plays All-Time Romantic Hits/Mantovani By Mantovani
PS 912 – Day of the Locust, Movie Soundtrack
XPS 913 – The Greatest Gift is Love, Mantovani/Orchestra
XPS 914 – More Mantovani Golden Hits, Mantovani/Orchestra
XPS 915 – American Encores, Mantovani/Orchestra
XPS 917 – Strictly Mantovani, Mantovani/Orchestra
PS 918/919 – Live from Carneige Hall, Benny Goodman
PS 920 – Harmonica, Larry Adler & Orchestra
PS 921 – Favorite Melodies for Opera, Mantovani
CONCERT SERIES – TWO RECORD SETS
音乐会系列双录音版
SPCA 12001 – Gilbert & Sullian: H.M.S PINAFORE, D'Oyly Carte Opera Company
PHASE 4 STEREO - BONUS PAKS
四相位礼包
2BSP 23 – Frank Chacksfield Play Ebb Tide and Other Million Sellers, Frank Chacksfield
2BSP 24 – The Return of James Bond in "Diamonds Are Forever", Roland Shaw/Orchestra
PHASE 4 STEREO – SPECIAL SETS
四相位特别套装
SPB 21 – Benny Goodman Today, Benny Goodman
ASPB 21 – Love Story, Ronnie Aldrich/Two Pianos/London Festival Orchestra
CAMS-1 – The Great Masters of Melody, Camarata/Kingsway Symphony Orchestra
2SPC 21101/2/3 – Tchaikovsky:The Swan Lake – Ballet, Anatole Fistoulari/Ricci/Netherlands Phil Orch.
INTERNATIONAL SERIES
国际系列
SPW1001 – A Tribute to Entebbe, Itzhak Graziani/Zahal Orchestra
SPW1005 – Song of Italy, Geri Palamara
SPW1006 – Ich Bin Ein Berliner, Music of Berlin
SPW1007 – The Fabulous Sound of Dutch Barrel Organ, Cementmolen Organ
SPW1008 – Jerusalem of Gold, Various Artists
SPW1009 – FRINI: The Golden Voice of Greece
SPECIAL COLLECTION
特别珍藏
6SP14000 – Threads of Glory(200 Years of America), Various Artists/Celebrities
PHASE 4 DEMONSTRATION/SPECIAL ISSUE RECORDS
四相位试音与特别节目录音
SPDX, Phase 4 Demonstration(2 records), Various Artists
SPD4, Phase 4 Demonstration, Various Artists
SPD7, Phase 4 Demonstration, Various Artists
SPD11, Phase 4 Demonstration, Various Artists
SPD12, Phase 4 Demonstration, Various Artists
SPD13, Phase 4 Demonstration, Various Artists
SPD14, Phase 4 Demonstration, Various Artists
SPD17, Phase 4 Demonstration, Various Artists
SPD19, Phase 4 Demonstration, Various Artists
SPD21, Phase 4 Demonstration, Various Artists
SP0049, Symphonic Spectacular, Various Artists
SPX1005, Phase 4 Demonstation, Various Artists
94251, Musical Tour Around the World & Beyond, Various Artists(SP44159/SP160)
R21445, Million Dollar Melodies(2 Records), Mantovani
R113958, Greatest Hits for Foreign Films, Various Artists
R213960, Stokowski Spectacular(Bach,Wagner, etc)(2 Records), Leopold Stokowski
R214213, Grand Opera Gala for Orchestra & Chorus, Stanley Black
R220116, The Best of the 70's(Vol II), Various Artists
R224497, Stokowski Showpieces for Orchestra(2 Records), Leopold Stokowski
2P 6122, The Big Sound of Today, Various Artists, Columbia House record club pressing
====Decca Phase 4 Stereo Discography====
Decca 四相位系列目录
Abbreviations(缩写含义):
LFO = London Festival Orchestra (& Chorus)
RPO = Royal Philharmonic Orchestra
PFS 34001 Showcase Phase 4 -- V/A
PFS 34002 Pass In Review -- Bob Sharples (director of music)
PFS 34003 Sizzling Twenties -- Eric Rogers and his Orchestra
PFS 34004 Big Band Percussion -- Ted Heath and his Music
PFS 34005 Percussion in the Sky -- Werner Muller and his Orchestra
PFS 34006 Los Machucambos in Phase 4 -- Los Machucambos
PFS 34007 Melody and Percussion for Two Pianos -- Ronnie Aldrich
PFS 34008 Exotic Percussion -- Stanley Black and his Orchestra and Chorus
PFS 34009 Percussion Around The World -- International "Pop" All Stars
PFS 34010 Bongos From The South -- Edmundo Ros and his Orchestra
PFS 34011 Twelve Star Percussion -- International "Pop" All Stars
PFS 34012 Percussive Oompah -- Rudi Bohn and his Band
PFS 34013 Percussive Moods -- Johnny Keating's Kombo
PFS 34125 More James Bond In Action -Roland Shaw And His Orchestra
PFS 4014 Avec Moi A Paris -- Maurice Larcange and his Accordions
PFS 4015 Italy -- Roger Laredo and his Orchestra
PFS 4016 Dance Again -- Edmundo Ros and his Orchestra
PFS 4017 Spain -- Stanley Black and his Orchestra
PFS 4018 Big Band Bash -- Ted Heath and his Music
PFS 4019 S/T -- Ronnie Aldrich and His Two Pianos
PFS 4020 Temptation -- The Johnny Keating Orchestra and Singers
PFS 4021 Great Film Themes From Many Lands -- International "Pop" All Stars
PFS 4022 Hawaiian Swing -- Werner Muller and his Orchestra
PFS 4023 Satin, Saxes and Bouncing Brass -- Ted Heath and his Music
PFS 4024 Victory in Review -- Eric Rogers and his Orchestra
PFS 4025 S/T -- The Twin Pianos of Fred Hartley
PFS 4026 The Glory of Christmas -- The Eric Rogers Chorale and Orchestra
PFS 4027 Mexico! -- Roland Shaw and his Orchestra
PFS 4028 The Magnificent Pianos of Ronnie Aldrich -- Ronnie Aldrich and his Two Pianos/LFO
PFS 4029 On The Move -- Werner Muller and his Orchestra
PFS 4030 Film Spectacular Vol.2 -- Stanley Black/LFO
PFS 4031 Big Band Spirituals -- Ted Heath and his Music
PFS 4032 America Sings -- The Eric Rogers Chorale and Orchestra
PFS 4033 Heath Versus Ros -- Ted Heath and Edmundo Ros with their Orchestras
PFS 4034 Battle In Stereo -- Bob Sharples (director of music)
PFS 4035 "Kismet" -- V/A with Mantovani
PFS 4036 Grofe: "Grand Canyon Suite" -- Stanley Black/LFO
PFS 4037 Trooping The Colour -- The Band of The Grenadier Guards
PFS 4038 Swing Revisited -- Johnny Keating and his Orchestra
PFS 4039 The Romantic Pianos of Ronnie Aldrich -- Ronnie Aldrich with Strings of the LFO
PFS 4040 Great Strauss Waltzes -- Werner Muller and his Orchestra
PFS 4041 Glory, Glory Hallelujah -- The Eric Rogers Chorale and Orchestra
PFS 4042 America On The March -- Bob Sharples (director of music)
PFS 4043 Sounds of Sight -- Ray Martin and his Orchestra
PFS 4044 Tchiakovsky in Phase 4 -- Robert Sharples/LFO
PFS 4045 Westward Ho! -- Roland Shaw and his Orchestra
PFS 4046 Palladium Revisited -- Ted Heath and his Music
PFS 4047 Werner Muller on Broadway -- Werner Muller and his Orchestra
PFS 4048 "Bolero" & "Polovtsian Dances" -- Stanley Black/LFO
PFS 4049 Coast To Coast -- Ted Heath and his Music
PFS 4050 Minstrel Show -- The Eric Rogers Chorale and Orchestra
PFS 4051 Christmas with Ronnie Aldrich -- Ronnie Aldrich/LFO
PFS 4053 Beyond The Sea -- Frank Chacksfield and his Orchestra
PFS 4054 New Rhythms of the South -- Edmundo Ros and his Orchestra
PFS 4055 Capriccio (Italien and Espagnol) -- Stanley Black/LFO
PFS 4056 Mucho Machucambos -- Los Machucambos
PFS 4057 Big Band, Beatle Songs -- Bob Leaper and Band
PFS 4058 Decca Phase 4 Stereo Sampler -- V/A
PFS 4059 The Music of Leroy Anderson -- Werner Muller and his Orchestra
PFS 4061 Globetrotting -- Frank Chacksfield and his Orchestra
PFS 4062 Scheherazade -- Leopold Stokowski and the London Symphony Orchestra
PFS 4063 Music of a People -- Stanley Black/LFO
PFS 4064 The Magic Mood of Ronnie Aldrich -- Ronnie Aldrich/LFO
PFS 4065 The Sound of Music -- Ted Heath and his Music
PFS 4066 Marches From The Movies -- The Band of the Grenadier Guards
PFS 4067 S/T -- The New Piano of Reg Guest with The Keating Sound
PFS 4068 Cool Drinks and Warm Company -- Mike Leander and his Summer Sound
PFS 4069 Americana! -- Robert Merrill (Baritone) with Stanley Black/LFO
PFS 4070 Folk - Barber Style -- Chris Barber and his Jazz Band
PFS 4071 Will Glahe in Bavaria -- Will Glahe and his Orchestra
PFS 4072 The New Limelight -- Frank Chacksfield and his Orchestra
PFS 4073 Germany -- Werner Muller and his Orchestra
PFS 4074 Organ -- Eric Rogers
PFS 4075 Western Heritage -- Edmund Hockridge
PFS 4076 That Aldrich Feeling -- Ronnie Aldrich and his Two Pianos
PFS 4077 Broadway Spectacular -- Stanley Black/LFO
PFS 4078 Keating...Straight Ahead -- The Keating Sound
PFS 4079 Latin Melodies Old and New -- Edmundo Ros and his Orchestra
PFS 4080 Great Country and Western Hits -- Frank Chacksfield and his Orchestra and Chorus
PFS 4081 Banjo Spectacular -- The Buckingham Banjos
PFS 4082 Fever! -- Ted Heath and his Music
PFS 4083 Tchiakovsky: "Swan Lake" & "The Sleeping Beauty" (selections) -- Stokowski and the New Philharmonia Orchestra
PFS 4084 Russia! -- Stanley Black/LFO
PFS 4086 The Kingsize Sound of Phase 4 Stereo -- V/A
PFS 4087 All Time Top TV Themes -- Frank Chacksfield and his Orchestra
PFS 4088 Film Spectacular Vol.3 -- Stanley Black/LFO
PFS 4089 Caramba! -- Los Machucambos
PFS 4090 All Time Piano Hits -- Ronnie Aldrich and his Two Pianos
PFS 4092 Arriba! -- Edmundo Ros and his Orchestra
PFS 4094 Themes For Secret Agents -- Roland Shaw and his Orchestra
PFS 4096 Offenbach: "Gaite Parisienne" -- Charles Munch and the New Philharmonia Orchestra
PFS 4097 D'Oyly Carte Spectacular -- D'Oyly Carte Opera Company with Sir Malcolm Sargent/RPO
PFS 4098 Gershwin: "Rhapsody In Blue" & "An American In Paris" -- Stanley Black/LFO
PFS 4099 Pow -- Ted Heath and his Music
PFS 4101 Flamenco! -- El Sali and his Ballet Espagnol
PFS 4102 Classical Sampler -- V/A
PFS 4103 Camarata featuring Tutti's Trombones -- Tutti Camarata
PFS 4104 Prokofiev: "Peter and the Wolf" & Britten: "The Young Person's Guide To The Orchestra" -- Antal Dorati/RPO; Sean Connery, Narrator
PFS 4105 Gypsy! -- Werner Muller and his Orchestra
PFS 4106 Where The Sun Is -- Ronnie Aldrich and his Two Pianos
PFS 4107 Verdi Spectacular -- Caramata and the Kingsway Symphony Orchestra
PFS 4108 Two Pianos in Hollywood -- Ronnie Aldrich and his Two Pianos
PFS 4109 Porgy and Bess Symphonic Suite -- Robert Farnon and the London Festival Orchestra
PFS 4110 France! -- Stanley Black/LFO
PFS 4111 Heath Versus Ros, Round 2 -- Ted Heath and his Music; Edmundo Ros and his Orchestra
PFS 4112 Hawaii -- Frank Chacksfield and his Orchestra
PFS 4113 Handel: "Messiah" (selections) -- Stokowski and the London Symphony Orchestra and Chorus
PFS 4116 Wagner: Orchestral Masterpieces from the Ring -- Stokowski and the London Symphony Orchestra
PFS 4117 Strauss Waltzes -- Dorati and the London Philharmonic Orchestra
PFS 4119 Latin Hits I Missed -- Edmundo Ros
PFS 4120 This Is My Scene -- Alan Tew
PFS 4122 Circus Spectacular -- Merle Evans (musical director)
PFS 4123 SPECTACULAR TANGOS -- Werner Muller and his Orchestra
PFS 4124 Vivaldi: "Four Seasons" -- Stokowski and the New Philharmonia Orchestra
PFS 4126 Tchiakovsky: "Nutcracker Suite/Serenade for Strings" -- Black/RPO
PFS 4128 Dvorak: "New World Symphony" -- Dorati/MPO
PFS 4129 Tchiakovsky: "Symphony No.5" -- Stokowski and the New Philharmonia Orchestra
PFS 4132 Two Pianos Today -- Ronnie Aldrich/LFO
PFS 4134 Sousa Marches -- Band of the Grenadier Guards
PFS 4136 Dimensions in Sound -- Stanley Black/LFO
PFS 4138 Les Paul Now -- Les Paul
PFS 4139 Stravinsky/Mussorgsky/Tchiakovsky -- Stokowski/LSO
PFS 4140 Tchiakovsky -- Caramata and the Kingsway Symphony Orchestra
PFS 4141 For Young Lovers -- Ronnie Aldrich/LFO
PFS 4142 The Gold Trumpet of Harry James -- Harry James and his Orchestra
PFS 4144 Overture-- Stanley Black/LPO
PFS 4145 Strings Latino -- Edmundo Ros
PFS 4146 Swing Is King Vol.2 -- Ted Heath
PFS 4148 Film Festival -- Frank Chacksfield and his Orchestra
PFS 4149 The French Touch -- Maurice Larcange with the Roland Shaw Orchestra and Chorus
PFS 4151 Feelin' -- The Raymonde Singers Etcetera
PFS 4152 Dig It -- Shake Keane
PFS 4153 Vienna -- Werner Muller and his Orchestra
PFS 4157 Nothing But Aces -- Caterina Valente and Edmundo Ros
PFS 4159 It's Happening Now -- Ronnie Aldrich/LFO
PFS 4160 Berlioz: "Symphonie Fantastique" -- Leopold Stokowski and New Philharmonia Orchestra
PFS 4163 Eleazer's Circus -- Stonepillow
PFS 4164 Country Style -- Paul Livert's Orchestra and Chorus
PFS 4166 Strictly Oompah -- Will Glahe
PFS 4168 Paris For Lovers -- Maurice Larcange with the Claude Martine Orchestra and Chorus
PFS 4170 Immortal Works of Ketelby -- Eric Rogers/RPO
PFS 4172 Organized -- Chris Waxman
PFS 4173 Music From The Great Movie Thrillers -- Bernard Herrmann
PFS 4174 Echoes of Italy -- Werner Muller
PFS 4175 Great Rhapsodies for Orchestra -- Stanley Black/LPO
PFS 4176 Bach: "Bradenburg Concerto #5" -- Jacques Loussier Trio
PFS 4178 Hair Goes Latin -- Edmundo Ros
PFS 4179 Destination Love -- Ronnie Aldrich
PFS 4183 Beethoven: "Symphony No.9" -- Stokowski/LPO
PFS 4191 Frank Chacksfield 'Plays The Beatles Songbook' -- Frank Chacksfield
PFS 4193 Heading South... Of The Border -- Edmundo Ros
PFS 4199 The Latin Splendor of -- Werner Muller
PFS 4201 The Fantastic Sound of Guitars Unlimited -- Guitars Unlimited
PFS 4202 Strauss: "Also Sprach Zarathustra" -- Lewis/RPO
PFS 4208 An Astromusical Odyssey -- Sounds Galactic (arr. J. Keating)
PFS 4212 Moog -- Claude Denjean
PFS 4215 Strauss: "Don Juan, Till Eulenspiegel's Merry Pranks" -- Lewis/RPO
PFS 4222 Love Story -- Ronnie Aldrich
PFS 4226 Ravel: Various -- Monteux/?
PFS 4228 Songs of Joy -- Werner Mueller
PFS 4230 Plays Bacharach -- Frank Chacksfield
PFS 4235 Edmundo Ros in Concert
PFS 4237 Flamenco Puro "Live" -- Paco Pena and his Group
PFS 4243 Film Spectacular Vol. 4 -- Stanley Black/LFO
PFS 4252 Liszt: "Piano Concertos No.1 and No.2" -- Ivan Davis
PFS 4253 Bach: "Brandenburg Concerto No.2" -- Jacques Loussier Trio
PFS 4257 ??? Love -- Caterina Valente with Werner Muller and his Orchestra
PFS 4258 The Sumptuous Strings Of -- The Werner Muller Orchestra
PFS 4262 Chopin -- Ivan Davis
PFS 4263 This Is My World -- Edmundo Ros
PFS 4264 Come to Where the Love Is -- Ronnie Aldrich & His Two Pianos/LFO
PFS 4265 Mussorgsky-Ravel/Prokofiev -- Margalit, Maazel/NPO
PFS 4267 Learn to Love -- Werner Muller and his Orchestra
PFS 4268 Soft and Wicked -- Ronnie Aldrich/LFO
PFS 4270 The Art Of The Flamenco Guitar -- Paco Pena
PFS 4279 Open Circuit -- Claude Denjean
PFS 4281 Presenting -- Botticelli and his Orchestra
PFS 4283 A MYSTIC PORTRAIT OF THE MOODY BLUES -- Werner Muller and the London Festival Orchestra and chorus
PFS 4288 Plays Legrand -- Maurice Larcange
PFS 4302 Caribbean Ros -- Edmundo Ros
PFS 4309 The Fantasy Film World of Bernard Herrmann -- Bernard Herrmann
PFS 4313 Kenton Live In Europe -- Stan Kenton
PFS 4315 Music from Great Shakespearian Films -- Bernard Herrmann
PFS 4319 Plays Elvis Greatest Hits -- Werner Muller
PFS 4334 Fabulous Flamence -- Paco Pena
PFS 4337 The Mysterious Film World of Bernard Herrmann -- Bernard Herrmann
PFS 4360 Candler by Candlelight -- Norman Candler
PFS 4369 Larcange Plays Becaud -- Maurice Larcange
PFS 4370 Discover Me -- Roland Shaw
PFS 4374 Black Magic -- Stanley Black
PFS 4377 Reflections -- Ronnie Aldrich
PFS 4381 Obsession -- Bernard Herrmann and the National Philharmonic Orchestra
PFS 4382 Symphonic Sousa -- Lewis/NPO
PFS 4384 Imagination -- Andre Gagnon
PFS 4386 Rossini: various -- Paita/RPO
PFS 4389 "La Boheme" for Orchestra -- Caramata and the National Philharmonic Orchestra
PFS 4390 Moods -- Claude Denjean
PFS 4397 Webb Country -- Ronnie Aldrich
PFS 4412 Yellow Fever -- Fela Ransome Kuti
PFS 4421 Edmundo Ros Today -- Edmundo Ros
PFS 4429 Harmonica -- Larry Adler
PFS 4515 Mantovani Plays the Theme From CROSSROADS(Villa Rides)
DDS 2 Togetherness -- Ronnie Aldrich/LFO
DDS 3 Benny Goodman Today
DKL 3/1 & 3/2 Kenton Today -- Stan Kenton
DKL 6/1 & 6/2 Ros Remembers -- Edmundo Ros
BPS1 Focus on Phase 4
SPA114 The World Of Phase Four Stereo Vol. 2
SPA 161 The Phase 4 World Of Foreign Film Themes
SLK 16400 Hammond Edmoundo Ros and His Orchestra - Bongos From The South
SLK 16848-P Hammond Sensationen In Phase 4 -- Klaus Wunderlich
myshirley - 2014/10/27 14:07:00
AChCarol - 2014/10/27 22:35:00
真正追求效果的话,还是听Pentatone的RQR系列的SACD吧!
CD-DA无论如何都逃脱不了44.1k*16bit*2的约束。呵呵
fightclub - 2014/10/28 20:15:00
货到手了,音效满意,就是包装一般。
qilanpu1 - 2014/10/29 6:53:00
自 从买了SACD播放机以后,我的SACD唱片数量一直在疯狂增加,只可惜品种还是远不如CD丰富,买来买去大多还是为了“音效”而非演绎。不过荷兰的PentaTone(中译“五音”)牌子是个例外,它是我迄今收藏最多也是对演绎最为满意的SACD,其原因大概在于它始终是我心目中Philips品牌的延续,它既秉持传统的唱片制作理念,又有上个世纪七八十年代Philips首创的“四相位”录音的大量库存母带作“镇山之宝”。我在文章标题里使用“高效”一词,意在双关,即高音效、高效率是也。
PentaTone的发片速度独占SACD唱片产业鳌头,仅仅五年不到,它的目录上已经罗列近200个品种,从单位价格上来说,这仍是一个需要小心对待的数字。面对PentaTone的诱惑而挣扎着捂住钱袋的状态似乎让我回到二十多年前省吃俭用购买CD的幸福时光,喜欢的东西得来不易只能使你加倍珍惜,于是,我总是很认真地聆听每一张到手的PentaTone,从未把它们用作背景音乐。此刻我的几个朋友已经开始指责我“流俗”了,因为每当他们和我一起听音乐时,我总是逼着他们安静地把一张PentaTone听完,而且随之讨论的全是有关音效的话题。
并非我不再关心作品的演绎和音乐性,而是听SACD首先面对的一定是音效问题,这种音效其实已经与从前的概念不可同日而语,也就是说SACD的音效正是对音乐性最直接的服务。之所以喋喋不休地赞美PentaTone,也是因为它录音的音乐性有着权威的说服力,随便举几个新产品的例子:包括莫扎特D大调第一圆号、G大调长笛、C大调双簧管和降B大调大管四首协奏曲的专辑(PTC 5186 079)集中展现莫扎特音乐无穷的想象力和创造力。来自阿姆斯特丹皇家音乐厅乐团各声部首席的独奏水准高超、修养深湛,无论是独奏家还是伴奏的乐团都以时尚风格传达出地道的音乐语汇。现代乐器特有的光泽质感辅之温暖而宽阔的音场,从未有任何同曲目录音如这张SACD令人愉悦。丹尼尔·考赞帕演奏的亨德尔管风琴协奏曲(PTC 5186 110)有着清新自然的流向和温暖流畅的音色,在整体上超过主流大厂牌的名版。就音乐塑造而言,乐音的流动性有机地抑制了亨德尔该类作品的仪式感和夸张浮华的因素,使优雅怡悦的气息贯穿始终。至于录音效果,恐怕已臻不可超越之境。雅诺夫斯基指挥美国匹兹堡交响乐团的勃拉姆斯第四交响曲(PTC 5186 309)可入数码录音以来最棒的勃拉姆斯交响曲录音之列,听过这张SACD的人无不想法寻找其他三首交响曲的录音。
PentaTone旗下有三位目前在乐坛炙手可热的青年指挥家,他们为音乐带来的追本溯源的态度和刻意求新的信念,在许多经典曲目的诠释上都能做到推陈出新。比如马克·阿尔布莱希特指挥斯特拉斯堡爱乐乐团的理查·施特劳斯专辑(PTC 5186 310)精神境界之高出人意表,他好像深谙演奏理查·施特劳斯交响诗的秘诀:快——他的音乐需要一种急迫感,《唐璜》就是很好的证明。当然,《梯尔的恶作剧》的精彩不仅在“快”,它的声部层次的细密和明朗直逼半个世纪前的托斯卡尼尼水准。还有现任伦敦爱乐乐团音乐指导的尤洛夫斯基指挥俄罗斯国家乐团演奏的柴可夫斯基的管弦乐作品(PTC 5186 330)使你不得不重新认识或评价柴可夫斯基,两首根据莎士比亚戏剧创作的幻想序曲《哈姆雷特》和《罗密欧与朱丽叶》均使用原始版乐谱,但是音乐的结构设计和解读却是全新的,本来再熟悉不过的乐句突然变得面目全非,但是又那么有说服力,那么充满美感。更为年轻的指挥是意大利帅哥卡洛·庞蒂,他指挥俄罗斯国家乐团演奏的穆索尔斯基作品(PTC 5186 332)精彩纷呈,令人惊艳,每首曲子都张扬着天才的创造力。“展览会上的图画”果真栩栩如生,如临其境,声音的逼真效果像是电影大片的配乐。这张SACD的录音效果像是为不可靠或有问题的重放系统布下的陷阱,所以在听这张唱片体会不到上佳声音的人还是要首先检讨器材,这是我的经验之谈。
再谈两张RQR系列的老录音。RQR是“四相位录音重制”(Remastered Quadraphonic Recordings)的缩写,这个宝库里汇集着多位顶级大师的录音母带,事实证明它们对我的吸引力无比之大,能够以如此杰出的音效聆听诸如克利普斯、马祖尔、戴维斯、海丁克、格鲁米欧、谢林、阿劳、阿梅玲、卡巴耶等人的录音堪比奇迹再现。不过真正让我对比新旧有别开生面之感的是两张室内乐录音,一个是美艺三重奏团的勃拉姆斯三首钢琴四重奏(PTC 5186 151),一个是意大利四重奏团的贝多芬早期三首弦乐四重奏(PTC 5186 175)。美艺三重奏团的每个乐句都那么深情款款,音乐的美感扑面而来,动感呼之欲出,算得上室内乐录音的“满分”之作。从前人们总是遗憾意大利四重奏团的贝多芬录音有点枯干单薄,但是在“RQR”面前,还有谁能够挑剔音效问题呢?PentaTone的SACD终于还原了它的本来面目。
qilanpu1 - 2014/10/29 7:02:00
PentaTone“四相位”SACD虽好,可里面没有斯托科夫斯基,斯坦利布莱克。。。。。。迪卡何时能出四相位SACD呢
小麒麟 - 2014/10/29 8:34:00
这个四不是那个四。
Decca的Phase 4,其实就是多声道录音混音技术,时下这已经是录音的常态了。它的目标不是环绕立体声,而是混音后期制作双声道立体声。所以,本质上,Phase 4依然是双声道。
Philips的四声道并不是为了后期混音,是为了环绕立体声专门制作的。也因为这一点,Philips的四声道可以很容易转为四声道SACD。
而Phase 4,除非能拿到原始的20轨的母带,重新混音成多声道,否则转制原版录音,那是怎么都不能制出多出来的环绕声道的。
听说Pentatone最近将发布一批德国唱片当年未发行过的四声道录音。与其指望Pentatone搞Decca的Phase 4,还不如指望它发行当年EMI的那批四声道录音更靠谱。
对了,在sa-cd.net上我曾追问过Pentatone的人,他们根本不认为Phase 4录音能制作多声道,从来就没有计划过。
myshirley - 2014/10/29 9:27:00
原帖由 小麒麟 于 2014-10-29 8:34:00 发表 这个四不是那个四。
Decca的Phase 4,其实就是多声道录音混音技术,时下这已经是录音的常态了。它的目标不是环绕立体声,而是混音后期制作双声道立体声。所以,本质上,Phase 4依然是双声道。
Philips的四声道并不是为了后期混音,是为了环绕立体声专门制作的。也因为这一点,Philips的四声道可以很容易转为四声道SACD。
而Phase 4,除非能拿到原始的20轨的母 |
正解。千万不要轻信JS的忽悠。官方关于Phase 4的说法:
Phase one was the concept of stereo.
Phase two was using stereo as a gimmick (my language), such as having a Ping-Pong ball bouncing from left to right speaker, etc.
Phase three was when engineers discovered how to electronically "move" sounds. Individual instruments, voices and effects could be moved left and right and back and forward in the stereo spread.
And then, here's the label's explanation of Phase 4 Stereo: "New Scoring Concepts Incorporating True Musical Use of Separation and Movement. In this phase, arrangers and orchestrators re-score the music to place the instruments where they are musically most desired at any particular moment and make use of direction and movement to punctuate the musicality of sounds. The effect is more sound -- more interest -- more entertainment -- more participation -- more listening pleasure: PHASE 4 STEREO is not background music." In 1964 the light classical Phase 4 "Concert Series" was created
所以,“phase 4”是代表“第4(个DECCA的录音技术)阶段”,而非“4相位”,更不是“4声道”。
另外,Pentatone的新东西在Presto的预售列表中已经看到了。
allegrohq - 2014/10/29 10:47:00
多声道SACD的瓶颈在于播放器材上!一般来说只能使用AV功放,声音实在是悲惨。所以我听SACD一般都将SACD播放机设置在两声道的模式用纯功放播。不知道上述刘雪枫的听感是在什么器材上得到的。
条顿骑士 - 2014/10/29 12:13:00
这套四相位录音最超值的是音质竟然超过中价版版本,这才是他最畅销的原因
fengbin - 2014/10/29 16:15:00
PentaTone的RQR系列是四声道SACD,有斯托科夫斯基的专辑。
爱美丽 - 2014/10/29 23:02:00
原帖由 qilanpu1 于 2014-10-29 6:53:00 发表 自 从买了SACD播放机以后,我的SACD唱片数量一直在疯狂增加,只可惜品种还是远不如CD丰富,买来买去大多还是为了“音效”而非演绎。不过荷兰的PentaTone(中译“五音”)牌子是个例外,它是我迄今收藏最多也是对演绎最为满意的SACD,其原因大概在于它始终是我心目中Philips品牌的延续,它既秉持传统的唱片制作理念,又有上个世纪七八十年代Philips首创的“四相位”录音的大量库存母带作“镇 |
老刘的帖子总是有些说不清的商业味道。