chrisspher - 2016/10/13 22:55:19
当然说道有个性又为大家肯定接受的，自然还有阿奶奶啦，华纳录音合集（不像某些没什么自信的唱片公司，喜欢乱加complete，华纳非常笃定，阿格里奇至少未来多年还会保持固定的每年至少3CD卢加洛音乐节的录音呢）
话说其实华纳的商标加在某些emi原版唱片上并没有什么违和感
话说其实华纳的商标加在某些emi原版唱片上并没有什么违和感
谁是德国很有个性又很有影响力的小提琴家，我认为绝对是穆特；但要有一个很有个性同时又有影响力同时又不那么有争议让人不太担心其演绎能不能被自己接受的有吗，我觉得是下面这位： |
L'Orfeo
Il ritorno d'Ulisse in patria
L'incoronazione di Poppea
Vespers
Madrigals
There can be little doubt that the novelty of Monteverdi's work surpassed the art of his forbears and brought about the dawn of a new age. The repercussions of it are still with us today, and his music has lost none of its power and expressive force. A student and codifier of human passions, Monteverdi spent a lifetime exploring all conceivable techniques in which these could be captured in music. He therefore invites direct comparison with the greatest artists and scientists of his age - Galileo, Bacon, Shakespeare, Cervantes, Caravaggio, Rubens - each one a striking representative of early 17th century genius. 2017 marks the 450th anniversary of Claudio Monteverdi's birth, known to his more discerning contemporaries as 'oracolo della musica'. From April to October 2017 an international cast of soloists together with members of the Monteverdi Choir and the English Baroque Soloists will perform the surviving trilogy of Monteverdi's great operas in concert performances directed by Sir John Eliot Gardiner. In these performances the orchestra, composed of Monteverdi's exotic and beautifully crafted period instruments, will take centre-stage and thus form a central part in the story-telling process. Their interaction with the singers will lead us into a world of love, loss, anger, hope and desolation.
The operas narrate three individual tales of ancient Greece and Rome, moving from innocence to experience and finally corruption. However, the uniting subtext of all of Monteverdi's surviving musical dramas is the full unchanging gamut of human emotions - bewildering, passionate, uncomfortable and sometimes uncontrollable. It is Monteverdi’s talent for communicating emotion, and using this as the driving force in his operas, that makes them so powerfully appealing to today's audiences.
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