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mmxh - 2011/2/11 12:57:00

必须补充
Jules Boucherit (1877.03.29, Morlaix -- 1962.04.01, Paris) French violinist and violin pedagogue. [Garcin]
当时法国学派四巨头之一（另外三位是Flesch、Marteau、Thibaud），开头名单中的Manuel Quiroga、Henri Temianka都是他的学生，此外Denise Soriano、Ginette Neveu、Ivry Gitlis、Michèle Auclair、Dévy Erlih等都出自他门下，另外据说Christian Ferras也曾向他学习过（此说法未经考证）。
Symposium的Great Violinist系列新出的第23集包含他的录音，还有开头名单中最后一位František Ondříček的录音。

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2011/2/11 12:56:43

sutao0688 - 2011/2/11 13:35:00

15）亨利.马尔托——Henri Marteau（1874-1939）
法国小提琴家及作曲家
指导老师：Bunzl、 Hubert Léonard、Jules Garcin
马尔托出生于法国兰斯，是德法混血儿，他的父亲是业余小提琴家，母亲是著名钢琴家（曾跟从克拉拉.舒曼学习）。在西沃里的影响下，马尔托走上职业音乐道路，在学习中就显现出出众的理解力和才华，1891年进入巴黎音乐学院Jules Garcin的学习班。
马尔托仅十岁时就与汉斯.李赫特/维也纳爱乐协会举行首演，随后赴瑞士和德国旅行演出。大作曲家古诺选择这个年轻的男孩在兰斯举办的贞德百年庆祝会上演出。
马尔托于1888年在伦敦首演，开始职业生涯，1892年赢得巴黎音乐学院首奖，马斯涅专为他创作了小提琴协奏曲，在后来一系列旅行演出中，他先后赴美国（两次）、俄罗斯。
他也从事教学活动，一度成为日内瓦音乐学院教授，约阿希姆去世后，他赴德国任Hochschule学院小提琴系主任。第1次世界大战爆发，他被驱逐出德国，移居瑞典，成为该国公民。
马尔托喜欢演奏室内乐，他与钢琴家Ami Lauchame、小提琴家Koert和大提琴家 Hegner 在纽约举行室内音乐会，演奏圣桑与弗雷的作品；1906年带领弦乐四重奏组在柏林演奏备受争议的马克斯.莱格音乐，证明了该作品价值。后来他与他的学生成立了另一个弦乐四重奏团，继续从事室内乐演奏活动。
马尔托的最重要创作：为女高音、合唱团与乐队所作的康塔塔“La voix de Jeanne d'Arc”
1939年在德国去世。

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sutao0688 - 2011/2/11 13:38:00

原帖由 mmxh 于 2011-2-11 12:57:00 发表 必须补充 Jules Boucherit (1877.03.29, Morlaix -- 1962.04.01, Paris) French violinist and violin pedagogue. [Garcin] 当时法国学派四巨头之一（另外三位是Flesch、Marteau、Thibaud），开头名单中的Manuel Quiroga、Henri Temianka都是他的学生，此外

OK，有时间就慢慢补充。

kreisler - 2011/2/11 15:54:00

symposium是个很好的资料库。

sutao0688 - 2011/2/11 16:04:00

16）Alexander Schmuller (1880.-- 1933.)俄罗斯/荷兰小提琴家、指挥家
在荷兰成长，成名后频繁在欧洲大陆和俄罗斯举行音乐会，虽任鹿特丹爱乐乐团指挥，但也致力进行小提琴表演。以演奏布索尼的小提琴协奏曲赢得广泛声誉。

资料仍缺缺！

sutao0688 - 2011/2/11 16:43:00

17）Juan Manén (1883.-- 1971.)西班牙小提琴家兼作曲家，生于巴塞罗那。
自小学习钢琴，因进步飞快，被誉为钢琴神童，但自从跟随D. Alard学习小提琴后，他突然决定要成为一名小提琴家。成名后在德国取得了成功，一度被人用来和他的著名同乡萨拉萨蒂相比较。他也对作曲有浓厚兴趣，主要作品包括：歌剧《拿坡里的唐璜》、《 Acté》、《Der Fackeltanz 》，交响诗《Neueva Catalonia》、一部小提琴协奏曲、吉他曲《幻想奏鸣曲》、一部小提琴与钢琴组曲等，他编辑完成贝多芬的C大调小提琴协奏曲（原稿只有259小节）。

sutao0688 - 2011/2/11 17:43:00

18）Arthur Catterall (1883-- 1943)
英国小提琴家、指挥家，英国古典乐界20世纪上半叶最知名的小提琴家之一。
指导老师：Willy Hess 、 Adolph Brodsky
Arthur Catterall 自小对音乐有极高的领悟力，当只有6岁时就在普林斯顿音乐会上表演，9岁时在曼切斯特演奏门德尔松小提琴协奏曲。在皇家曼切斯特音乐学院跟随名师学习，18岁时受汉斯.李赫特邀请在拜罗伊特演奏瓦格纳音乐。1903年与哈莱乐团合作演奏柴科夫斯基协奏曲。
1909年Catterall成为皇后大厅逍遥音乐会乐队首席，1912年受聘成为皇家曼切斯特音乐学院小提琴教授，并任哈莱乐团首席，当年9月与亨利伍德指挥的哈莱乐团合作，成功演奏布索尼的小提琴协奏曲，后又在英国首演Samuel Coleridge-Taylor的小提琴协奏曲。
除管弦乐演奏之外，他还进行教学活动，并致力于室内乐演奏。戴留斯将自己的一部小提琴奏鸣曲题献给他和钢琴家R.J. Forbes，他领导Catterall室内乐团，1921年成功演奏埃尔加的五重奏，并与萨蒙斯、默多克、W. H. Squire等保持密切的协作关系。1910年他成立了Catterall弦乐四重奏团，这个四重奏组录制了一些音乐，包括贝多芬、勃拉姆斯的四重奏，Catterall也参与三重奏演出（曼切斯特三重奏团）。
作为独奏家，Catterall也为哥伦比亚公司录音，录制了莫扎特第5协奏曲和巴赫的双小提琴协奏曲（指挥为汉米尔顿.哈蒂），1923年与默多克合作录制了勃拉姆斯D小调奏鸣曲，后又与默多克、W. H. Squire合作录制了柴科夫斯基三重奏，共占了12张SP。
Catterall后来又成为伦敦皇家音乐学院教授，他的学生包括 Harry Blech, Walter Appleyard, Eugene Genin, Arthur Leavins, Laurance Turner, Gloria Pashley、Olive Zorian等人，离开哈莱乐团后他致力于独奏，1927年与比彻姆/伦敦交响乐团合作演奏了贝多芬的协奏曲。他也积极从事指挥。
Catterall也是BBC交响乐团的奠基人之一，直至1936年退休。
其他主要事迹：在英国首演魏因加尔特纳的小交响曲，首演英国本土作曲家的多部室内乐。

sutao0688 - 2011/2/11 17:46:00

19）Kocian, Jaroslav  ——雅洛斯拉夫.科奇安（1883-1950）
捷克小提琴家、作曲家及著名教师
指导老师：Joseph Zábrodský、奥塔卡.舍夫契克
他在布拉格投入舍夫契克门下，与杨.库贝利克一起成为“舍夫契克学派”的最重要的代表人物。
主要任职：布拉格音乐学院教授
巴赫小提琴协奏曲的最优秀诠释者之一
他以创作的诸多优秀小提琴音乐作品而广为人知，他的学生——小约瑟夫.苏克录制了其中大部分作品。
他的父亲是位音乐家，舍夫契克的同学。他的三个姐妹也有音乐才华，但他是最出众的。4岁时学小提琴（1887年），并在公众面前演出，能凭记忆演奏24个国家的歌曲，他的第一个老师就是他的父亲——Joseph Zábrodský，严格的教育令他受益匪浅。
1893年赴他布拉格音乐学院，虽然通过入学考试，但因为健康状况不佳、个子太矮，未被学院录取。但1897年终于获准入学，他进入舍夫契克的学习班，同时跟随德沃夏克学习钢琴和作曲，1901年毕业，在毕业汇报上演奏了帕格尼尼的小提琴协奏曲、自己创作的小提琴与乐队浪漫曲及钢琴三重奏。
此后赴各个欧洲城市旅行演出，如伦敦（包括在爱德华国王的加冕仪式上）、维也纳等，1902年首次出访美国，但5个月的旅行没有令他获得更多的关注。
第1次世界大战后，他赴日本和远东旅行演出。他曾为捷克的第一部有声电影配音伴奏，1930年在捷克首演门德尔松的协奏曲。
在晚年，他主要致力于教学活动，直至退休。1950年3月在捷克去世。

sutao0688 - 2011/2/12 9:52:00

20）Hall, Marie  ——玛丽.霍尔（1884-1956）
英国女小提琴家
主要指导老师：舍夫契克
她出生于纽卡斯尔，自小生活在乡下。她的第1个老师是她父亲——罗萨歌剧公司乐队竖琴手，9岁时，Émile Sauret 建议送她到伦敦皇家音乐学院学习，但父母没有听从。她继续跟随几位名师学琴，其中包括埃尔加、August Wilhelmj、Max Mossel、 Kruse 等。后听从杨.库贝利克的建议，投入舍夫契克门下。
霍尔于1902年在布拉格首次登台，1903年在维也纳演出，随后举行了她的伦敦首演，取得成功。
霍尔认为她的技巧应归功于舍夫契克的教诲，虽然她天生柔弱，但有足够的精力进行长期旅行演出。
沃恩威廉斯将自己的作品《云雀飞翔》题献给她，她于1921年在波尔特的指挥下首演了这部作品。她使用的琴是维奥蒂的斯特拉迪瓦里。
1911年婚后她定居于切尔滕纳姆。
评论界认为她“是一位迷人的女孩，娇小、活泼、富有幽默感，又非常慷慨大方。”
1956年11月去世。

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sutao0688 - 2011/2/12 9:54:00

21）MacMillen, Francis  ——弗朗西斯.马克米伦（1885-1973）
美国小提琴家
指导老师：奥尔
只能发图片

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sutao0688 - 2011/2/13 9:13:00

22）Mikhail Erdenko (1885 -- 1940)
俄罗斯小提琴家

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sutao0688 - 2011/2/13 9:24:00

23）Mogilevsky, Alexander  ——亚历山大.莫吉列夫斯基(1885.-- 1953.)
俄罗斯小提琴家，尼古拉斯2世时期克里姆林宫乐队指挥。
出生于敖德萨，1898年进入莫斯科音乐学院学习。
他是斯克里雅宾的学生、同事及最亲密的朋友，
1929年与Duchess Nadedja Nicolaïevna de Leuchtenberg,结婚，携伴旅行，赴远东、东南亚等地演出。

sutao0688 - 2011/2/13 9:57:00

24）Kochanski, Pawel  ——帕维尔.科钦斯基（1887-1934）
波兰小提琴家，出生于俄罗斯
指导老师： Emil Młynarski（奥尔的学生）、 César Thomson
14岁时任Emil Młynarski创立的华沙爱乐乐团小提琴首席，他又是阿图尔.鲁宾斯坦的朋友，他们曾合作演奏贝多芬《克莱采》奏鸣曲、柴可夫斯基的三重奏、弗兰克奏鸣曲、勃拉姆斯三重奏等。并在1909年合作首演希曼诺夫斯基的小提琴奏鸣曲，而作曲家后来又将自己的第1、2小提琴协奏曲题献给他。
1909-1911年任华沙音乐学院小提琴教授。1916-1918年任圣彼得堡音乐学院教授。1919-1920年任基辅音乐学院教授，自1924年起，因主要在美国活动，任朱莉亚音乐学院教授。
他与普罗科菲耶夫有密切关系，曾帮助作曲家完成第1小提琴协奏曲。
其他事迹：首演布洛克第1小提琴奏鸣曲、希曼诺夫斯基的第2小提琴协奏曲（另又协助作曲家完成该部作品）

他的唱片

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sutao0688 - 2011/2/13 10:14:00

25）Renée Chemet (1888 -- 1932?)

法国女小提琴家，生平不详。
录制有不少78转LP，包括与古森斯合作的维瓦尔第、莫扎特协奏曲。
她最受欢迎的唱片是圣桑《引子与回旋畅想曲》

Saint-Saens - Introduction et Rondo Capriccioso Renée Chemet, violin Harold Craxton, piano

His Master’s Voice DB 887 Matrices Cc 6789-I, 6790-II (single side numbers 4-07955/6) Recorded 28th September 1925, Hayes

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sutao0688 - 2011/2/13 10:17:00

26）Naoum Samoilovich Blinder （1889-1965）
乌克兰-美国小提琴家及著名教师

我就偷个懒，请参见26楼！

sutao0688 - 2011/2/13 10:29:00

27）Florizel von Reuter (1890-- 1985.)
美国小提琴家、作曲家及著名教师

主要在德国活动，1931-1933年任维也纳音乐学院教授
他录制不少独奏唱片，也与 Elly Ney, Max Strub等人合作录制室内乐。
余下只看图，不说话！
小时照片：

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sutao0688 - 2011/2/13 10:36:00

28）Kathleen Parlow——凯瑟琳.帕洛 (1890-- 1963）

加拿大小提琴家，天才神童！以其杰出的技巧赢得外号——“金色弓弦女士”。
指导老师：Conrad Coward、Henry Holmes、莱奥波德.奥尔
小时天资聪颖，进步飞快，她的母亲携带她赴欧洲寻找名师，1905年在听了埃尔曼的独奏会后，帕洛决定寻找埃尔曼的老师——奥尔，但费用拮据，不足她们远赴圣彼得堡，不得已从加拿大**专员处借款。1906年10月，帕洛终于成为圣彼得堡音乐学院收取的第一个外国学生。在奥尔45人的班上，她是唯一一名女生。她对老师的尊称是——“奥尔爸爸”。
17岁时开始登台，先后在圣彼得堡、赫尔辛基、柏林、荷兰和挪威旅行演出。在挪威，她最受国王和王后欢迎，并找到了赞助人及艺术伙伴—— Einar Björnson，
获得价值昂贵的瓜奈里琴（曾为维奥蒂所有）。奥尔又为她安排了数场音乐会，包括与比彻姆爵士、瓦尔特合作的协奏曲专场。
1910年帕洛母女到美国、加拿大旅行演奏，受到听众热烈欢迎。此后严格按照计划表，此后往返于大西洋两岸举行音乐会。参与为泰坦尼克号船难生还者募捐的音乐会。1911年为哥伦比亚公司制作了她的第1个录音。
1912年帕洛遇到合作伙伴 Ernesto Consolo（意大利钢琴家），开始演奏室内乐。
1922年帕洛在西雅图首次为广播电台演奏，之后赴远东旅行，在日本为 Nipponophone 公司制作录音。
1936年帕洛在朱莉亚音乐学校任职，2战爆发后，赴多伦多皇家音乐学院任教。
其他事迹：她成立了 South Mountain Parlow 四重奏团、组织了加拿大三重奏团，晚年任西安大略音乐学院校长。


发两张养眼图片，才女佳人！

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sutao0688 - 2011/2/13 11:42:00

帖子到此......
请大伙严肃回答我的问题，有没有必要继续下去？

鉴于论坛多数人对音乐家历史资料不感兴趣，这贴又费力不讨好，所以本人准备停止。

如无人愿回答，就让这贴自行消失吧！

lilacs - 2011/2/13 11:47:00

原帖由 sutao0688 于 2011-2-13 11:42:00 发表 帖子到此...... 请大伙严肃回答我的问题，有没有必要继续下去？ 鉴于论坛多数人对音乐家历史资料不感兴趣，这贴又费力不讨好，所以本人准备停止。 如无人愿回答，就让这贴自行消失吧！

希望樓主能介紹下這些琴家的CD化Discography.

sutao0688 - 2011/2/13 11:55:00

呵呵！这个Discography，MMXH兄比我了解更多......

本来趁闲暇无事随便写写，不加思索全是草稿，但量.....实在太大！现春节假期已经结束，马上就要投入工作了，这贴我无暇兼顾。

sutao0688 - 2011/2/13 12:03:00

你也可以看看这个目录，只是一小部分，可作参考，算是我在本帖的最后奉献吧！
若有人愿意继续我的工作，无限欢迎！

（一）
VIOLINISTS
•  JOSEPH JOACHIM (1831-1907)- very idyosyncratic playing. At times laughable with today's 21st century standards. Intonation on the whole not bad, no use of vibrato but very rhythmic playing. He is a tad brash with his chords, and I am sure he used staccato bowing in one passage. The best piece is the Brahms Hungarian dance. His technical abilities shine through here.
-PAVILION RECORDS: OPAL CD 9851: The complete recordings 1903:Bach: Partita in B minor: Bourree; Sonata in G minor: Adagio; Brahms: Hungarian Dance no 1 and No 2.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: 1903:Bach: Partita in B minor: Bourree; Brahms: Hungarian Dance No 2.
-SYMPOSIUM 1071: Bach: Prelude G minor, Bourree in B minor (1903)
•  PABLO DE SARASATE (1844-1908) Spanish virtuoso- great to be able to hear him playing his own music.
-PAVILION RECORDS: OPAL CD 9851: The complete recordings 1904: Sarasate: Ziguenerweisen op 20 no 1; Capricio Vasco; Capricio Jota; Tarantella; Miramar (Zortzico); Habanera; Zapateado; Chopin Nocturne in E flat (arr. Sarasate); Bach: Prelude in E major.
•  HUGO HEERMAN (1844-1935)
-SYMPOSIUM 1071: Bach Prelude; Ernst: Nocturne in E (1909). Quite energic playing in the Bach. The Ernst is very lyrical and virtuosic with lots of portamenti. The orchestra's intonation is aweful.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Ernst: Nocturne in E major op 8 (1910)
•  LEOPOLD AUER (1845-1930) - violinist and great violin pedagogue of the late 19th and early 20th century, teacher of Elman and Heifetz amongst others, and author of 'Violin playing as I teach it'.
-SYMPOSIUM 1071: Tchaikovsky: Melodie Op 42 no 3; Brahms: Hungarian No 1 (arr. Joachim) (1920)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Brahms: Hungarian No 1 (arr. Joachim) Tchaikovsky: Melodie Op 42 no 3 (arr. Whilhelmj)
•  PAUL VIARDOT (1857-1941)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Saint-Saens: Prelude to 'La Deluge' (1902)
•  EUGENE YSAYE 1858-1931 - This Belgian violinist certainly had style in his playing as evidenced by his recordings. A bridge between the 19th century way of violin playing, you can certainly hear the portamentos and slides. Technically I think he is better than many of the old violinists and his playing is full of sentiment. It is wonderful opportunity to hear him play his own music - the Mazurka in B minor op 11 no 3 "Lointaine passe and his Reve d'enfant op 14. Shame I do not have a recording of his solo Sonatas. His playing certianly stands out. Many years ago his biography on Paganiniana Press, and in Yehudi Menuhin's 'Unfinished journey', he mentioned that he had lessons or played to Ysaye who commented that Menuhin needed to practise his scales!
-MAGIC TALENT LABEL CD 48057: A VIOLIN RECITAL: works by Brahms, Chabrier, Kriesler, Mendelssohn, Schubert, Vieuxtemps, Wagner, Wieniawski, Schumann, Dvorvak, Faure and Ysaye himself. An interesting recital. The recordings date from 1912-1914. The playing is certainly 'dated' and the intonation is not always accurate but it is good playing.
-PAVILION RECORDS: OPAL CD 9851: Chabrier: Scherzo-Valse; Faure: Berceuse; Mendelssohn Concerto op 64 (III); Wieniawski: Mazurkas (Obertass and Dudziaiz); Brahms: Hungarian Dance no 5. Recorded in 1912. Certainly 'Titanic' playing but far from sinking!! :-)

sutao0688 - 2011/2/13 12:05:00

（二）
•  JENO HUBAY (1858-1937)- Has written a few works for violin, many of the pieces are rarely heard on the concert platform as they used to.
-SYMPOSIUM 1071: Hubay: Czarajenelet 12 (1929) soulful playing
•  TIVIDAR NACHEZ (1859-1930) A Hungarian violinist. I have played his editions of Vivaldi's double concerto in A minor published by Schott.
-SYMPOSIUM 1071: Schumann: Traumerei (1912). Lots of surface noise. Plays with lots of portamenti
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Schumann: Traumerei (1912).
•  BERNHARD DESSAU (1861-1923) German violinist. Teachers: Schradieck, Joachim and Wieniawski.His Mazurka is simply charmingly played by him.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Dessau: Mazurka in E minor op 11 no 2.
•  LEOPOLD LICHTENBERG - (1861-?) American violinist taught by Wieniawski
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Schubert: Serenade. (1921). The tempo is rather slow and the piano accompaniment sounds rather choppy.
•  MARIE SOLDAT (1864-1955) Viennese violinist who famously premiered Brahm's violin concerto in Vienna. She was later known as Marie Soldat-Roeger when she was married
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Spohr: violin concerto no 9: Adagio op55 (1920)
•  JOHN DUNN (1866-1940) An English violinist who also used the performance name of Ivan Donovitch
-SYMPOSIUM 1071: Sarasate: Zapateado (1909) The technical detail is here
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Paganini Caprice in B flat op 1 no 13
•  BERNARD MOLIQUE CARRODUS (1866-1935) English violinist, and son of Tiplady Carrodus
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD
•  KAROL GRIGOROWICH (1867-1921)Polish violinist who was also known as Carl Grigororvich and Charles Gregoriwitsch.
-SYMPOSIUM 1071: Wienawski: Obertass (1909) He brings out the character of the piece
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Mazurka Op 19 no 1 (1910)
•  FINI VALDEMAR HENRIQUES (1867-1940)Danish violinist
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Svendsen Romance op 26 (1912)
•  FRANTISEK DRDLA (1868-1944)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  MAUD POWELL (1868-1920) American violinist
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  WILLY BURMESTER (1869-1933) German violinist. Studied with Joachim. I understand that he was renown in his day for his short arrangements of pieces which became known as 'Burmesterstucke'
-SYMPOSIUM 1071: Bach Gavotte and Air (arr. Burmester). Very rhythmical playing but with piano accompaniment. Nice crisp bowing.
•  ALFREDO D'AMBROSIO (1871-1914)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD:
•  CARL FLESCH (1873-1944)- violinist, teacher and author of the 'Art of Violin Playing' and 'Violin Fingering its theory and practise'. Flesch was a reknown teacher of Szymon Goldberg, Norbert Brainin, Bronislav Gimpel, Ivry Gitlis, Ida Haendel, Nannie Jamieson, Georg Kulenkampff, Ricardo Odnopossoff, Yfrah Neamann, Aida Stucki, Henri Temianka, Henryk Szeryng, Josef Wolfsthal, Max Rostal and Ginette Neveu to name but a few.
-SYMPOSIUM LABEL: 1032/3/4. These are the only recordings of him that I know of. There is alot of surface noise. They are however a real treat to lsiten too. The intonation is a bit off, and his playing does not seem to be as good as other violinsists of the same era such as Ysaye and David Oistrakt and Yehudi Mennuhin.
•  HENRI MARTEAU (1874-1934) French violinist
-SYMPOSIUM 1071: Sarasate: Carmen concert Fantasie. He takes his time at the ends of phrases, clean playing and the flagolets are not so clear when he speeds up.
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Brahms Hungarian Dance NO 6 in E flat (1929)

sutao0688 - 2011/2/13 12:07:00

（三）
•  FRITZ KREISLER (1875-1962)- I really enjoy listening to Kreisler although the playing is rather dated in style. It is certainly interesting to hear him play his own compositions. He was a fine piano player as well. I am fortunate to have many of the Biddulph recordings of his playing which are simply delightful. I think many current concert violinists can learn from his playing.
-BIDDULPH LAB 009-10: The Kreisler Collection: The 1904 G & T and 1911 HMV solo recordings - CD1 - Bach: Prelude in E, Air on a G string; Sulzer: Sarabande; Francois Schubert: The Bee; Tcahikovsky: Chanson sans paroles; Kreisler: Aubade provencale 'in the style of Couperin', Chanson Louis XIII and Pavane 'in the style of Couperin'; La Precieuse 'in the style of Couperin', Scherzo 'in the style of Dittersdorf', Allegretto 'in the style of Boccherini', La Chasse 'in the style of Cartier', Liebesfreud, Liebeslied, Tambourin Chinois, Caprice Viennois; Bach: Gavotte in E; Brahms Hungarian Dance No 5; Cottenet: Chanson meditation. With Hugo Kreisler on cello and Fritz Kreisler accompanying on piano: Gabriel-Marie: La Cinquantaine; Rubinstein: melody; Drigo; Serenade; Chaminade: Serenade Espagnole; Hugo Kreisler: Viennese Folk Song Fantasy. CD2- Pergolese: Nina; Beethoven: Minuet in G, Andante in F; Schumann: Abendlied; Wagner: Preislied; Jeral: Serenade; Kreisler: Marche miniature Viennoise, Syncopation; Londonerry Air; Mozart Violin Conerto no 4 in D K218; Bruch violin concerto no 1 in G minor.
-BIDDULPH LAB 016: 'Kreisler & Thibaud play Mozart'. Mozart Concerto no 4 in D K218. (11 Feb 1939)
-BIDDULPH LAB 019: The first Victor Recordings with George Falkenstein: Smetana: Bohemian Fantasy; Massentet: Meditation; Dvorak: Humoresque; Foster: Old Folks at Home; Kreisler: Caprice Viennois, Liebesfreud, Variations on a theme of Corelli; Rameau: Tambourin; Schubert: moment Musical No 3; Brahms: Hungarian Dance No 5; Tchaikovsky: Chanson sans paroles; Cottenet: Chanson Meditation; Bach: Gavotte in E; Bach: prelude in E; Gluck: melodie; Kreisler: Andantino, Chanson Louis XIII and Pavane, Liebeslied, Schon Rosmarin; Townsend: Berceuse; Kreisler: Austrian Imperial Hymn. Dvorak: Humoresque (Kreisler piano solo) The Bach prelude is unusual with piano accompaniment. His piano playing is very musical and shows his versatility as a musician. The recordings date from 1910, 1912 and 1914.
-BIDDULPH LAB 021: The Complete acoustic Victor recordings with orchestra: Bach: Double concerto in D minor with Efrem Zimbalist; Tchaikovsky: Andante Cantabile; Bocherini: Minuet; Kreisler Rondino; Bizet: Adagio; Spencer: Underneath the stars; Hubbell: Poor Butterfly; Schubert: 'Rosamunde' ballet music; Kreisler: Polichinelle and Paraphrase on Paderewski's Minuet in G; Winternitz: Dream of Youth; Earl: Beautiful Ohio Waltz; Rimsky-Korsakov: Song of India; Krakauer: Paradise; Kreisler: La Gitana; Valdez: Gypsy Serenade; Korchat: Forsaken; White: Nobody knows the trouble I've seen; Dvorak; Humoresque; Kreisler: Who can tell? Hirsch: Love Nest; Jacobi: On Miami shores. The intonation in the Bach double is quite off. A unusual album.
-BIDDULPH LAB 040: Fritz Kreisler Favourite short pieces with Franz Rupp: Bach: Gavotte in E; Mozart: Rondo in G; Chopin Mazurka in A minor; Brahms: Waltz in A; Dvorak: Humoresque; Tchaikovsky: Andante Cantabile; Rimsky-Korsakov: Song of India; De Falla; Spanish Dance; Poldini: Dancing Doll; Scott: Lotus Land; Kreisler: Caprice Vennois, Tambourin Chinois; Liebesfreud, Liebesleid, Schon Rosmarin, Rondino on a theme of Beethoven, La Gitana, and Londonderry Air. Recorded 1936 and 1938
-BIDDULPH LAB 047: Mendelssohn Violin Concerto (Kreisler) and Schumann Violin Concerto (Menuhin)
-BIDDULPH LAB 049-50: Archive performances: The Kreisler Collection - The Victor Recordings (1921-1925): CD1: Brahms Watltz Op39 no 15 (arr. Hochstein); Greig: To the Spring; Dawes: melody in A; Drdla: Souvenir; Kreisler: Aucassin and Nicolette, Toy Soldiers March; Rimsky-Korsakov: Hymn to the sun, Chanson Arabe, Danse Orientale (arr. Kreisler); Logan: Pale Moon (arr. Kreisler); Scott: Lotus land (arr. Kreisler), Cherry Pie; Chopin: mazurka in A op 33 no2 (arr. Kreisler); Paderewski: Melodie op 16. no 2 (arr. Kreisler); Heuberger: Midnight bells (arr. Kreisler); Kramer: Entr'acte; Openshaw: Love sends a little gift of flowers; Seitz: The worls is waiting for the sunrise; Haydn: Minuet in D (arr. Friedberg); Tchaikovsky: violin concerto - Canzonetta; Friedberg: Old French Gavotte (arr. Kreisler); Schuett: Slavonic Lament (arr. Friedberg); Poldini: Dancing Doll; Grainger: Molly on the shore (arr. Kreisler). Recorded 1921-1924; CD2 - Balogh: Dirge of the north (arr. Kreisler); Korngold: Pierrot's dance song (arr. Kreisler); Handel: Largo; Tchaikovsky: Chanson sans paroles (arr. Kreisler); Bass: Chansonette; Brandl: The old refrain (arr. Kreisler); Dawes: melody in A (2nd recording); Herbert: Kiss in thre dark; Kreisler: Caprice Viennois; Balogh: Caprice antique (arr. Kreisler); Cadman: Legend of the canyon (arr. Kreisler); Lalo: Symphonie Espagnole (Scherzando); Bach: Minuet in G (arr. Winternitz); Beethoven: Gavotte (Winternitz); Kreisler: Paraphrase on two Russian folk songs; Liliuokalani: Ahoha Oe (arr. Kreisler); Dvorak: Negro spiritual melody (arr. Kreisler); Cadman: Land of the sky blue water (arr. Kreisler); Then 5 recordins with the Irish Tenor JOhn McCormack: Trad: I saw from the beach; Rachmaninoff: before my window, To the children; Strass: Morgen!; Larchet: Padriac the fiddler. The duets with the tenor and piano accompaniment are very interesting. I think I would like to do something similar in a concert as well.
-BIDDULPH LAB 068-69: Archive performances: The Kreisler Collection - The Berlin HMV recordings (1926-1927): CD1 - Bach: Solo Sonata in G minor (Adagio); Beethoven concerto op 61; Mendelssohn concerto op 64; CD2 - Brahms violin concerto op 77; Mendelssohn: Song without words (arr. Kreisler); Schumann: Romance in A (arr. Kreisler); Brahms: Hungarian Dance no 17 (arr. Kreisler); Debussy: The girl with the flaxen hair (arr. Hartmann); Debussy: En Bateau (arr. Choisnel); De Falla: Dance Espagnole (arr. Kreisler); Scott: Lotus Land (arr. Kreisler); Music for violin, cello and piano: Corelli: O Sanctissima (arr. Kreisler); Bizet: Agnus Dei from L'Arlesienne (arr. Kreisler); Kreisler: March miniature viennoise and Syncopation. Very interesting recordings. very poised, eloquent and charming playing in the concertos and I understand that he was the first violinist to record all three of these concerti, so this CD is an important landmark. Hugo Kreisler plays the cello trio music.
-BIDDULPH LAB 075: The 1926-1927 Victor Recordings: Favourite short pieces - Romberg: Deep in my Hear, Dear; Friml: Indian Love Call, Dance of the maidens; Lemare: Andantino; Cadman: At dawning; Lehar 'Kreisler' Serenade; Owen: Invocation; Rimsky-Korsakov: Oriental Romance; Tcahikovsky: Humoresque; Rachmaninov: Marguerite; Lehar: 'Frasquita' Serenade; Kreisler: Caprice Viennois, Liedesfreud, Liebesleid, Gypsy Caprice, Shepherd's madrigal; Schon Rosmarin; Berlin: Blue Skies; De Falla: Cancion Populaire, Albeniz: Malaguena; Dvorak: Humoresque.
-BIDDULPH LAB 080: The 1928 Victor recordings: Favourite short pieces - Dohnanyi: Ruralia Hungarica; Debussy: En Bateau, the girl with the flaxen hair; Drdla: Souvenir; Massenet: Meditation; Nevin: Mighty Lak'a Rose, the Rosary; Foster: Old Folks at Home; De Falla: Danse Espagnole; Albeniz: Tango; Kreisler: Tambourin Chinois, Rondino; Winternitz: Dance of the Marionettes; Dvorak: Slavonic Dance in G minor, Indian Lament, Songs my Mother taught me.
-BIDDULPH LAB 100: Kreisler plays Beethoven: Concerto in D op 61; violin sonata no 8 with Rachmaninov on piano.
-BIDDULPH LAB 101:-Brahms: concerto op 77; the rarely performed August Wilhemj edition/ of Paganini concerto no 1 in D; Kreisler: Caprice Viennois; Tambourin Chinois; Liebesfreud; Liebesleid; Schon Rosmarin and La Gitana. (1936 and 1942)

sutao0688 - 2011/2/13 12:08:00

（四）
•  JAN KUBELIK (1880-1940) Czech violinist who studied with Sevcik. Father of the conductor and compsoer Rafael Kubelik. Some very impressive technical playing. He gets some lovely sounds with the flageots. Amazing lefthand pizz in the Paganini
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Wieniawski: Souvenir de Moscou op6; Paganini: Nel cor piu variations op 38 (1903)
•  JACQUES THIBAUD (1880-1953) French violinist who tragically died in a plane crash
-BIDDULPH LAB 016: 'Kreisler & Thibaud play Mozart'. Mozart concerto no 6 (k268) (23 Feb 1927)
-PAVILION RECORDS: PEARL BVA 1 THE RECORDED VIOLIN VOL 1- THE HISTORY OF THE VIOLIN ON RECORD: Albeniz: Tango (2 July 1933); Debussy: The girl with flaxen hair (1927)
•  GEORGES ENESCO (1881-1955)- A famed Roumanian violinist, composer, conducter, and teacher of Yehudi Menuhin. I understand that he also collaborated with the execellent Roumanian pianist Dinu Lipatti in concerts.
-BIDDULPH LAB066: Corelli 'La Folia' sonata; Handel: Sonata no 4 in D; Pugnani: Largo espressivo; Beethoven: Chorus of Dervishes; Wagner: Albumblatt; D'Ambrosio: Serenade; Kreisler: Aubade Provencale 'in the style of Couperin' and Tempo di Minuetto 'in the style of Pugnani'; Chausson: Poeme; Enesco violin sonata no 3 in A minor 'dans le caractere populaire Roumain'(Yehudi and his sister Hephzibah Menuhin play the sonata 1936). The Enesco recordings dated from 1924 and 1929. A noble tone in his Handel and overall good intonation compared with others of his generation. His technical ability is apparent in the Beethoven and Chausson.
•  BRONISLAW HUBERMAN (1882-1947)
-BIDDULPH LAB081-82: The Columbia recordings (2 cds.) Old fashioned playing with a Romantic stance. CD1: Bach Nun Komm der Heiden Heiland (arr. Humberman) and Air on a G string (arr. Wilhelmj); Schubert Moment Musical no 3 (arr. Auer), Ave Maria (arr. Wilhelmj); Chopin Nocturne in E flat (arr. Sarasate), Waltzes in G flat, C sharp minor (arr. Huberman); Brahms Hungarian Dance No 1 (arr. Joachim), Waltz in A flat (arr. Hochstein); Tchaikovsky: Melodie in E flat; Elgar La Capricieuse; Sarasate Romanza Andalusa; Zarzycki Mazurka. The Zarzycki is the only piece on this cd to show his technical skills. The other pieces demonstrate that he takes his time, a bit like Elman. CD2. BACH: Sarabande (Partita in B minor), Andante (Sonata in A minor); Beethoven 'Kreutzer' sonata with Ignaz Friedman; Chopin Nocturne in E flat (arr. Sarasate); Schubert Moment Musical No 3 (arr. Auer). The unaccompanied Bach is dated and full of Romantic portamenti and the chords are a little brash. In the Andante, the voices are very clear. I think the Beethoven sonata sonata brings out his best qualities, but i still think his chords are a little to strong. Friedman is a superb player!!
•  MISCHA ELMAN (1891-1967)- the violinist with the 'golden tone'. I simply adore his playing, it is so musical, and he always takes his time, which makes the music he is playing so expressive and thoughtful.
-Have you listened to his Tchaikovsky concerto? (BBC CD717 The Vintage Collection) He plays his teachers edition of it (Leopold Auer) who rewrote some of the passages of this 'unplayable russian stench' as he put it. I prefer the original version of the concerto not Auers.The Beethoven Romanze in G op 40 is also on this recording.
-The Vintage Collection volume 2 'The complete musician - violinist, composer, chamber music player and collaborator (BBC CD753) . An interesting collection of recordings of different pieces pieces ranging from Wieniawski, Sarasate, Raff, a Haydn String Quartet, and Elman's own composition 'In a Gondola/ Impromptu' and his arrangement of 'Eili Eili'.
-Vanguard Classics 08803371 'The Mischa Elman Collection': Nardini concerto in E minor; Vivaldi concerto in G minor op 12 no 1; Bach E major concerto).
-EVERYMAN/ Vanguard 08614971: Mendelssohn concerto in E minor op 64 and Lalo Symphonie Espangnole
-BIDDULPH LAB160: The complete 1946/7 RCA recordings: Brahms Sonata in D minor no 3, Dvorak Slavonic Fantasy, Smetana Aus der Heimat, Hubay Hejre Kati, Balakirev 'Oh come to me', Mendelssohn 'May breezes and concerto in E minor op 64
•  FERENC VON VECSEY(1893-1935). Hungarian violinist and student of Hubay. Sibelius dedicated his violin concerto to him
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 Caprice No 13, 1930s.
•  TOSCHA SEIDEL (1899-1962) Ukranian violinist and studnet of Leopold Auer. Later based in USA.
-BIDDULPH LAB138: the RCA recordings: Mozart: Gavotte in G and Minuet in D; Wagner Albumblatt; Brahms: Hungarian Dance no 1; Bakleinikoff: Brahmsiana; Provost: Intermezzo; Korngold: 'Much a do about nothing' suite with Korngold accompanying on piano; Strauss 'one day when we were young' and Tales from the Vienna Woods; Frank: Sonata. These pieces were recorded in 1938, 1941 and the 1950s. He makes such a full bright sound. The playing is certainly musical and very expressive. I think he played for the sound tracks of a few Hollywood movies. The Prevost Intermezzo was the sound track in the movie of the same name with Leslie Howard and Ingrid Bergman. Howard played a vioinists who had an affair with the pianist played by Bergman. I remember watching this movie on a saturday morning matinee when I was 9 years old. THIS IS ONE OF MY FAVOURITE RECORDINGS.

sutao0688 - 2011/2/13 12:11:00

（五）
•  JASCHA HEIFETZ (1901-1987) I have mixed feelings about this technical legend. Sometimes I feel his playing is too fast to enjoy the music, .e.g his Mendelssohn violin concerto
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 - Caprice No 24 (1934)
-RCA Victor: 09026 61748 2 The Heifetz Collection vol 17: Bach solo sonatas and partitas (1952)
-NAXOS 8.107001 Centenary Memorial edition 1901-2001: CD1 ?Beethoven and Brahms concerti (1939/1940); CD2 ?Tchaikovsky, Glazunov, Sibelius Concerti (1934/1937); CD3 ?Elgar, Walton concerti (1941/1949); CD4 ?Brahms Double concert, Bruch Scottish Fantasy, Wieniawski concerto no 2 (1935/1947); CD5 ?Prokofoiev concerto no 2; Gruenberg concerto (1937/1945); CD6 ?Mozart concerto no 4 and 5, Mendelssohn concerto op 64; (1934/1949) CD7 ?Vieuxtemps concerti no 4 and 5, Sain-Saens Introduction and Rondo Capricioso; Sarasate Zigeunerweisen , Waxman Carmen Fantasy (1935/1946)
•  ZINO FRANCESCATTI (1902-1991) French violinist taught by his Father, who was alleged taughted by Camillo Sivori, Paganini's only student.
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 concerto no 1 1950
•  NATHAN MILSTEIN (1903-1992)
EMI: 07777 64830-2: The Art of Nathan Milstein ?the Capitol Recordings 1955-1966 (6 cds): 1) Glazunov concerto op 82, Prokofiev concerto no 2 op 63, Sain-Saens Concerto no 3; 2) Tchaikovsky concerto, Brahms concerto; 3) Beethoven concerto, Dvorak concerto; 4)Vivaldi concertop op 3/10, Sonata no 2 in A op 2, Handel sonata no 4 op1, Vitali Chaconne, Corelli-Leonard La Folia op 5 no 12, Tartini-Kreisler Devils Trill Sonata, Bach-Wilhemj Air; 5) Mozart violin sonatas in C K296 and e minor K304, Beethoven Spring sonata, Prokofiev sonata no 2 in D; 6) Rachmaninov Vocalise, Mussorgsky- Jones Gopak, Glazunov Meditation, Tchaikovsky Waltz-Scherzo, Souvenir d抲n lieu cher, Rimsky-Korsakov-Kreisler Fantasia on Russian Themes, Rimsky-Korsakov-Hartmann Flight of the bumblebee, Brahms Hungairan Dance no 2, Massenet Meditation, Gluck Dance of the blessed spirits, Chopin Nocturne no 20 in C minor, Falla Jota, Wieniawski Scherzo-Tarantella, Debussy Minstrels, Sarasate Introduction and Tarantella, Kreisler Praeludium & Allegro in the style of Pugnani
DVD: Nathan Milstein - a portrait. Super playing at the age of 82!!! Beethoven 'Kreutzer' sonata, Bach Chaconne, Paganini caprices, Sarasate Introduction and Tarantella
•  MAX ROSTAL (1906-1991)- I really like his playing. He taught my my first violin teacher Brenda Farrow when she was a student at the Guildhall School of Music and Drama
-SYMPOSIUM LABEL CD 1079: A selection of works: Tartini concerto in G minor and Devil's Trill sonata, Bach sonata in E minor, Beethoven Romances in G major and F major, Biber Passacalgia
-SYMPOSIUM LABEL CD 1076: Schubert Fantasie in C, Schumann Sonata in A minor and Debussy Sonata with pianist Colin Horsley
-SYMPOSIUM LABEL: Berg violin concerto (1953); Bartok Concerto no 2 1962; Bernard Stevens Violin concerto 1948; and Shostakovich Concerto no 1 in A minor (1956)
•  RUGGIERIO RICCI (1908-)- Student of San Francisco concertmaster Louis Persinger. Ricci had gone on to make a tremdous career for himself playing and recording many works by Paganini
-THE STRAD 6: Desplanes: Intrada; Nardini: Larghetto; Vivaldi: Praeludium from sonata in c; Paganini: Cantabile & Waltz; Moart: Adagio from piano sonata in E flat (arr. Friedberg); Kabalevsky: Improvisation op 21 no 1; Tchaikovsky: Melodie op 42 no 3; Veracini: Largo; Paradis: Sicilienne (arr. Dushkin); Hubay: 'The Violinmaker of Cremona'; Handel: Larghetto; Schumann: Romance in A (arr. Kreisler). This is one of my favourite recordings. Such a lovely lot of pieces. Ricci's playing is so express and he produces some very sweet tone which suits some of these pieces. However, I sometimes find his vibrato a tad too wobbly. Nevertheless, a fabulous recording.
-ISTITUO DISCOGRAFICO ITALIANO: IDIS 6409 ?6 Great Soloists perform Paganini Vol 2 - Moses Fantasy 1938
-VOXBOX CD3X 3020: Paganini 24 Caprices op 1 and Caprice d抋dieu
-VOX BOX: 5 cd set: The Art of Ruggiero Ricci:
-DYNAMIC CDS 373: The Legacy of Cremona. The master plays 18 violins by contemporary violin makers with a programme of works by Nardini, Paganini, Dvorak, Schubert, Sibelius, Liszt/ Milstein, Achron, Chopin/ Ricci, Wagner/ Wilhelmj, Granados, Scott/ Kreisler, Sarasate, Wieniawski, Tchaikovsky

sutao0688 - 2011/2/13 12:13:00

（六）
•  JOSEF GINGOLD (1909-1995) He studied with Vladimir Graffman and Eugene Ysaye. He has edited many works and etudes. More famed as a teacher in his later years, especially of his student Joshua Bell.
-THE STRAD 9: Harris: Sonata; Bloch: Vidui; Schumann: Prophet Bird (arr. Auer); Massenet: Meditation; Wieniawski: 2nd Concerto - Romance; Medelssohn: Song without words op 62 no 1 (arr. Kreisler); Prokofiev: Aria from Alexander Nevsky (arr. Gingold); Walton: Sonata. Recorded 1942, 1951, 1964 and 1968.

knap - 2011/3/18 19:54:00

原帖由 sutao0688 于 2011-2-13 11:42:00 发表 帖子到此...... 请大伙严肃回答我的问题，有没有必要继续下去？ 鉴于论坛多数人对音乐家历史资料不感兴趣，这贴又费力不讨好，所以本人准备停止。 如无人愿回答，就让这贴自行消失吧！

千万别这么说。当然有必要。虽然“暂时”不讨好，但“长久”是坛子里最具保存价值的东西呢。

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